Archive for nigeriang

Conspicuous Consumption

Conspicuous Consumption

“In 1899, Economist and sociologist
Thorstein Veblem coined the phrase “conspicuous consumption” in his
book ‘The Theory of the Leisure Class’ 1899. He argued that some
consumption is intended to send a message about the consumer’s status
rather than just to satisfy a need. They buy certain goods because of
what those goods reveal about their standing in society, rather than
the intrinsic enjoyment they derive from the purchase.” Conspicuous
consumption is the ostentatious display and consumption of resources by
largely the wealthy class, to advertise their wealth. As the term
“keeping up with the Jones'” suggests, we measure our success against
others around us and have become so consumed with the image of
affluence, that we fail to be satisfied with the happiness and
contentment that comes from financial stability and good old fashioned
family values.

National Currency

A national currency is a source of
national identity and pride and an anchor for a country’s economic
prosperity. The Nigerian naira is of great value to our national psyche
and deserves our faith and respect. It must be treated and used
responsibly if it is to have its pride of place in our national
heritage.

Nigerians are world renowned for
teeming social activity and the throwing of lavish parties. Indeed we
have been described as “a merry making people on the west coast of
Africa.” The “spraying” of money at social events such as weddings,
christenings, anniversaries and funerals is often attributed to the
Yoruba, a practise that has now spread widely to other communities
across the country.

Upon closer examination, it appears
that where this was indeed the practise in the past, its purpose was to
display appreciation and gratitude and it was practised with some
restraint; indeed a sense of decency, simplicity, modesty, and
frugality prevailed. The phenomenon of “show”, appears to be more
recent and grew largely from the emergence of a new class in the 1970s
following the oil boom, and was made popular by praise singing
musicians who waxed lyrical in their releases by singling out some of
the wealthy in their midst.

Wining and dining at such gatherings,
is often accompanied by the irritating closure of public roads, loud
music, dancing and much festivity. The celebrant is joined on the dance
floor by guests who begin to paste the currency notes on their forehead
and fling money at them, the “spray” of money cascades to the floor and
people stamp and dance on it with someone assigned to pick it up.

The CBN Act of 2006 singled out the
practise of “spraying” as the worst form of abuse of the naira. The
Act, which was signed into law, stipulates that anyone caught spraying
the naira will be jailed for six months without an option of fine.

A widening abyss

Indeed, the ignorance of conspicuous
consumption has serious societal implications and the upsurge in
incidents of violence is not an isolated phenomenon. Differences in
culture, religion and politics are often blamed as the catalysts of
unrest, but the strong underlying economic factors that fuel violence,
unless remedied, can create irreparable damage to our economic
development and our collective psyche.

The ever widening abyss in incomes of
the rich and poor, and the show of opulence and ostentatious living by
the rich is slowly giving rise to a sense of despondency, deprivation
and degradation among much of the populace that lives largely in abject
poverty.

Whilst most people appear to have
accepted their lot, a small minority have become restive and translate
their resentment and wrath into acts of social disorder. Such
resentment breeds a desperation that can become extreme and manifests
in lawlessness, armed robbery, kidnapping, and murder.

Conspicuous spending sends a powerful
message to the society, and in particular the impressionable youth,
that they must strive to make money by any means. On the contrary, they
must be encouraged to value education, hard work, ambition and ability,
and the belief that true success comes from the dint of sheer hard work.

Financial, social and economic discipline

“Economy is a poor man’s revenue;
extravagance, a rich man’s ruin,” said Lydia Maria Child. There will
always be people that have much more than you; nicer homes, cars,
clothes, jewels. It is tempting to try to copy or outdo them but you
then put yourself under intense pressure. Focus instead on your own
particular situation and your long-term financial goals.

The “play now, pay later” syndrome
implies that people who spend a large part of their wealth on acquiring
luxuries, often on credit, are in essence undermining their future
financial security. Some people “appear” to be wealthy, yet the
feverish display of opulence may be shielding huge debt.

The phenomenon of wasteful and lavish
consumption to enhance social prestige can be reversed where the
mindset shifts towards the timeless disciplined approach to creating,
building and retaining wealth. This comes from a systematic approach to
saving, investing and spending. Acquiring and maintaining long-term
financial security is a process with few short cuts, but the rewards
over time, are well beyond the thrills of any instant gratification or
outward appearances.

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Bayern inches close to final

Bayern inches close to final

Bayern Munich took
a step towards reaching the final of the UEFA Champions League after
managing a 1-0 win in the first leg of their semi final against
Olympique Lyon on Wednesday night at the Allianz Arena. Arjen Robben
blasted home another spectacular strike to give the German side the
edge in a match that saw the two sides ending the tie with 10 men each.

Bayern’s Franck Ribery was given a straight red card in the first half
after he stamped on Lisandro Lopez while Lyon’s Toulalan followed in
the second half after he was booked twice. It was not the kind of
performance expected of the Bundesliga side as they spurned several
scoring opportunities against the French side, but they will be happy
to go into the second leg with an advantage.

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Adepoju debunks rumour

Adepoju debunks rumour

The General Manager of Shooting Stars
Sports Club, Mutiu Adepoju has condemned rumours suggesting that he’s
quitting the club due to “government interference.” “There was never a
time I contemplated quitting my post as General Manager of Shooting
Stars, and I don’t really know where this wicked rumours emanated
from,” Adepoju said.

“I have never complained to anyone
about external interference, and as much as I have enjoyed absolute
freedom in running the affairs of 3SC, the falsehood surrounding the
rumours must be laid to rest.

“As much as I am condemning these false
reports in their entirety, let me also set the records straight and
tell all Shooting Stars supporters at home and abroad that there’s no
truth whatsoever in whatever they may have read regarding this issue,
and at this moment, I remain the GM of 3SC and have no intention of
quitting,” he added.

A section of the Nigerian media had
early in the week reported that “the crisis that has deepened at the
troubled Premier League club, Shooting Stars Sports Club (3SC), may
result in the resignation of its general manager, Mutiu Adepoju.”

Expressing his disgust at the unfounded
rumours, the Nigeria ex-international lamented the biased mind of
certain sports journalists who never take the pains to verify
information before going to press.

“There’s no crisis at Shooting Stars,
so whoever is wishing us bad at this time will only be disappointed
because we are destined to shine.

Part of our plans to reposition the
team is already taking shape, as we have just announced the appointment
of Fatai Amoo as our new Chief Coach,” he said.

Adepoju also described the negative
stories regarding his purported resignation as the handiwork of his
detractors whose sole aim is to see him fail.

“This is obviously the work of my
detractors who are hell bent on destabilizing the team, but we are not
be deterred, and we shall continue to do our best to reposition
Shooting Stars as a leading brand in Nigerian football,” he stated.

Meanwhile, newly appointed coach of 3SC, Fatai Amoo is resuming with
the team on Wednesday morning by 7.30am at the team’s Liberty Stadium
training ground after fine-tuning his contract formalities on Tuesday
afternoon at the club’s Jericho office in Ibadan.

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Mikel suffers ankle ligament damage

Mikel suffers ankle ligament damage

Chelsea have
confirmed that Mikel Obi’s chances of playing against Stoke City on
Sunday is slim, after suffering a damage in his ankle in their 2-1 loss
to Tottenham Hotspurs last weekend.

The Blues
midfielder was replaced by Michael Ballack just 33minutes after the
kick off, following a vicious tackle from Bolton striker, Kevin Davies
in a Premier League clash at Stamford Bridge last week.

“Scans on Tuesday
have revealed that John Mikel Obi has suffered ankle ligament damage
and as a result, the midfielder is a doubt for Sunday’s game against
Stoke City”, revealed the Chelsea website on Wednesday night.

The injury means
Chelsea have suffered another major blow to their title aspiration as
they have lost their two main holding midfielders after confirming
Michael Essien may not recover in time to play again this season.
Mikel, who has made 35 appearances in all competitions for his club
this season, has been impressive in the anchor role after Essien
suffered a knee injury during the African Cup of Nations in January.

It is the second time the Super Eagles ace has been out this season
after he was injured for six weeks during the Blues 3-1 loss to Wigan
at the DW stadium in September. His injury would also be a major
concern to the national team coach, Lars Lagerback who is set to meet
his players next week in London.

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Inter holds its own with Europe’s best

Inter holds its own with Europe’s best

Inter Milan’s
transformation from Champions League also-rans to serious title
contenders can be traced back to the day coach Jose Mourinho sauntered
into town less than two years ago.

The road has been a
bumpy one but Tuesday’s vibrant 3-1 win over holders Barcelona in their
semi-final, first leg left home fans in dreamland having witnessed one
of the great European nights at the famous old San Siro.

The rafters
literally shook as 75,000 supporters bounced up and down in sheer
delight after goals from Wesley Sneijder, Maicon and Diego Milito gave
Inter the edge ahead of next Wednesday’s second leg at the Nou Camp.

World player of the
year Lionel Messi, who scored four goals in the last round against
Arsenal, was almost completely nullified by Javier Zanetti’s constant
harrying and Inter’s ability to break so quickly that the ball was
often behind him.

“We did a good
defensive job on Lionel Messi and Zlatan Ibrahimovic and we created
lots of chances,” Argentina’s Milito told reporters after also being
involved in the first two goals.

“My goal? I prefer
to talk about my assists. It’s great to set up goals for my
team-mates.” Milito’s work-rate and willingness to chase lost causes
sums up the attributes Mourinho has instilled in his players during a
run of six straight European victories, including two against Chelsea.

European master

Inter had grit in
Serie A under former coach Roberto Mancini but were like rabbits in
headlights when it came to Europe’s premier competition, where they
last won back-to-back titles in 1964-65 before a most recent final
appearance in 1972.

Mourinho proved he
was a European master by winning the trophy with unfashionable Porto in
2004 and near misses as Chelsea coach only served to intensify his
desire at Inter.

Last season was a
work in progress in Europe as instead he made sure of a fourth
successive Italian title, but this term the Champions League has moved
centre stage with the side now trailing AS Roma in the Serie A title
race.

Almost every Inter
fan, who only had UEFA Cup success to crow about in the 1990s, would
swap a fifth scudetto for a place in next month’s final in Madrid let
alone winning the trophy.

But the Nerazzurri know that against a team as skilful and resourceful as Barca, the tie is nowhere near over.

“We tried to neutralise their play and we succeeded, but now we will have to do the same in Barcelona,” striker Milito added.

Thousands of Barca
fans might have wondered why they battled through the travel chaos
caused by an Icelandic volcanic to watch their side lose by a two-goal
margin for the first time under Pep Guardiola.

However, the
Guardiola is confident they will be out in force next Wednesday given
Barca already beat Inter 2-0 at home in the group stages in November.

“90 minutes is very long time. The stadium will be full. Of course we can overturn this,” he said.

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Heartland to play in Kagame Cup

Heartland to play in Kagame Cup

Confederation of
Africa (CAF) Champions League runner-up, Heartland FC have been grouped
in Group B of the 2010 Confederation of East and Central African
Football (CECAFA) Kagame club championships holding in Kigali Rwanda
from May 15 to 29.

The competition is
a regional event that attracts the league champions from each of the
countries in the east and central region. Ten teams from the region
will compete alongside Heartland and TP Mazembe of Democratic Republic
of Congo who were invited as guest sides for the regional showpiece.

Heartlands FC are drawn in Group B against Rayon Sport of Rwanda, Mafunzo of Zanzibar and St George of Ethiopia.

In Group A, Rwanda
champions APR are slugged with TP Mazembe, who eliminated them from
this year’s champions league in the second round last month, Vita O of
Burundi and Djibouti’s Telkom.

Atraco FC of Rwanda
will begin their title defence in Group C against Uganda Revenue
Authority (URA), Simba of Tanzania and Kenya’s Sofapaka FC.

An eye on Supersport

CECAFA’S secretary
general, Nicholas Musonye while speaking on Tuesday at the headquarters
in Nairobi, Kenya during the draw said the Rwanda government injected 1
million US dollars in the event . He disclosed that the US$1m will
cater for air tickets for all teams, referees, officials, accommodation
and cash prize.

Meanwhile, coaches
and players of the Nigeria club are keeping mum on their invitation
claiming it will only be a distraction ahead of their Round of 16
encounter with SportSports United of South Africa at the Rand Stadium
in Johannesburg on Saturday.

Ik Thangod, who is
back with the Kelechi Emetole tutored side after a successful outing
with the Super Eagles home-based team at the WAFU Cup, told NEXT Sport
the team has been briefed about the event.

Speaking from South
Africa, the central defender said: “We were told of the CECAFA Cup; I
think it starts in May but for now the major thing is to concentrate on
our matches in the champion’s league. We need to beat SuperSports to
the group stage; there is nothing else on my mind right now. Maybe
after the match we will discuss other things”.

However attempts to contact Heartland boss, Emetole, failed as he did not take calls.

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Arduous trip will not affect Liverpool

Arduous trip will not affect Liverpool

Liverpool’s
2000-kilometre odyssey to arrive in Madrid for Thursday’s Europa League
semi-final first-leg against Atletico is unlikely to affect their
performance, according to Atletico midfielder Jurado.

Airspace
restrictions caused by the volcanic eruption in Iceland have forced
coach Rafael Benitez and his players to find alternative means of
transport to the Spanish capital.

They took a train
to London around Tuesday lunchtime and then the Eurostar rail service
to Paris. They plan to catch a train to Bordeaux on Wednesday and then
a flight to Madrid.

“I am sorry they
have to travel so many kilometres (out of their way), although I don’t
think it’ll make any difference on the pitch,” Jurado said at a news
conference on Tuesday.

“I think that more
than the journey they will be tired because they played on Monday,” he
said, in reference to Liverpool’s 3-0 Premier League win over West Ham.

“But in a
semi-final like this you use all your energy and you don’t notice
fatigue.” The Liverpool players passed the time on the train to London
reading newspapers, playing cards and browsing on laptop computers,
according to a live blog called “The Longest Journey” on the club’s
website (www.liverpoolfc.tv).

After they arrive
in Madrid on Wednesday, Benitez will hold a news conference at
Atletico’s Calderon stadium at 1645 GMT and they will have a practice
session from 1730 GMT.

Atletico winger
Jose Antonio Reyes believes his side will miss Sergio “Kun” Aguero more
than Liverpool will notice the absence of Fernando Torres on Thursday
as the two teams bid for a place in the May 12 final against Hamburg SV
or Fulham.

Fan favourite

Spain striker
Torres, a fans’ favourite at Atletico before moving to the Premier
League in July 2007, had knee surgery on Sunday and will be out for
around six weeks. Argentina forward Aguero is suspended.

“I admit that for
us it’s good news (that Torres is out), although also bad because we
like to see the best players on the pitch,” Reyes told reporters.

“Above all his team will suffer, and also our fans,” the former Arsenal and Real Madrid player added.

“Both teams lose a
lot, although I believe the absence of Kun it’s more important because
he is a key player for Atletico. We’ll notice his absence, although I
hope not much.” Erratic Atletico have struggled in La Liga this season
but have made the final of the domestic cup and Liverpool’s captain
Steven Gerrard said the Spaniards are capable of beating anyone if they
hit form.

“It depends what
version of Atletico takes to the pitch,” the England midfielder said in
an interview published in Spain’s As sports daily on Tuesday.

“They’re a bit like us: sometimes you expect them to win and they don’t.

“It’s going to be a
hard match. The trophy is very important for both clubs and the
atmosphere is going to be sensational.” Probable teams:

Atletico Madrid: 43-David De Gea; 2-Juan Valera, 18-Alvaro
Dominguez, 17-Tomas Ujfalusi, 3-Antonio Lopez; 12-Paulo Assuncao,
8-Raul Garcia; 19-Jose Antonio Reyes, 9-Jurado, 20-Simao Sabrosa;
7-Diego Forlan Liverpool: 25-Pepe Reina; 2-Glen Johnson, 5-Daniel
Agger, 23-Jamie Carragher, 16-Sotiris Kyrgiakos; 20-Javier Mascherano,
21-Lucas; 18-Dirk Kuyt, 8-Steven Gerrard, 15-Yossi Benayoun; 24-David
Ngog Referee: Laurent Duhamel (France)

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Every Day is for the Thief

Every Day is for the Thief

Teju Cole’s book, Every Day is for the
Thief is published by Cassava Republic, a Nigerian publishing house. In
this highly engaging book, a Nigerian living in America decides to take
a trip to Nigeria after a long stay away from home. Hurrah for Cassava
Republic. There is hope for Nigeria’s publishing industry. This is a
pretty little book. I absolutely love the cover; earth tones seeping
gently into black and white truths. Indeed, there are many things to
like about this little book. It exudes the quiet confidence of a
brilliant writer properly centered in the beauty and challenges of his
art. It is refreshing that ‘Every Day is for the Thief; does not
pretend to be perfect. If I had to do it over, I would employ an artist
to draw charcoal sketches of scenes from the chapters. The binding
could be stronger. In editing and in general, there is considerable
evidence of a gallant struggle for excellence.

Cole has a reverence for the carefully
documented journey as opposed to sloppy hagiographies. From the middle
passages the voice rises, lumbers to an alert at attention relentlessly
flogging the reader’s conscience. We see firsthand the effect of
capitalism unchecked. Cole describes in sombre but frightening terms,
what “democracy” has brought to Nigeria. We are introduced to a Nigeria
innocent of an abiding set of core values and a coherent spirituality –
a consumer nation at its crassest defined largely by the absence of a
reading culture. Soaked in the effluvium of the new Christianity,
Nigeria is host to a relentless scourge of new “pastors” gouging their
destitute congregation to near-death.

All connoisseurs of history should
simply read Cole’s rendering of the slave trade as it pertained to
Nigeria. The writer has a historian’s keen sense of observation – and
sees little things that portend huge seismic shifts. He observes hard
working professionals like medical doctors who are paid in Naira but
who pay for their subsistence in dollars. And every day they make
furtive plans to flee Nigeria. What this democracy has brought to us is
pregnant and nursing a baby at the same time. Nigeria unravels before
the eyes – a society in slow motion decay wrapped in suffocating
mildew.

In this book, Nigeria is pathetically
a-historic. Nobody seems to remember much. Even Biafra has evaporated
from the conscience of those who should remember. Museums house filth,
indifference, and hagiography. General Murtala Muhammed’s Mercedes Benz
in which he perished in 1976 is there with a hagiographical note
attached. Missing is this man’s misadventures during the civil war.
Gone is his own admission of his thievery and selective remorse. A
murderer and an armed robber adorns Nigeria’s currency and has her
International airport named after him. No one cares. Only in Nigeria.
The courtyard of the National Museum is rented out for funerals and
Owambe parties. I am reminded of Wole Soyinka’s retelling of his
quixotic 1978 adventure to return a stolen artefact from Brazil. The
goal as he tells it in ‘You Must Set Forth at Dawn’ is to return the
mask to Nigeria where it belongs. We have our ancestors to thank for
turning a well-intentioned initiative into a bumbling farce. Where was
Soyinka going to put the ancestral mask, in one of these ‘museums’? How
would he like it if his revered papers were left to the mercy of mildew
and termites in one of those ‘museums’?

It is not all despair. There is balance
to Cole’s story. The protagonist actually goes around documenting hope
wherever it sprouts. He is relentless in his belief in hope and
redemption – it is not all ceaseless despair and irredeemable filth.
Instead the book asks questions that point to structural flaws that are
exploited by men and women of no character. The protagonist wanders the
land seeking that elusive spot of earth called hope. And each time he
finds one, his parched throat erupts in lusty song.

I commend Chapter 27 of this book to the gentle reader. It is quite
simply stunning in its application of poetry to prose. Cole succeeds in
adorning Lagos with a well deserved veil of dignity after the quick
peek into a deeply mysterious place. “And sitting there, a memory of
Lagos returns to me, a moment in my brief journey that stands out of
time.” (p125) The enduring mystery of Lagos triumphs over even the
keenest eyes, over even the prettiest of prose and poetry. Lagos is a
teeming pot of mystery – it trumps even the best story teller, the best
photographer, the best bard. Fela Anikulapo Kuti was close but still no
cigar. Lagos will take her secrets with her to our graves. In the end,
Lagos remains a frustrating enigma. Lagos lifts her skirt. She allows a
peep and shuts it down. And the musky aroma of a sensuous experience
lingers on. Buy this book. Read it and think of the perverse mysteries
unfolding in Nigeria.

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Dancing the Anioma culture into the future

Dancing the Anioma culture into the future

The grand finale
of this year’s Anioma Festival held on April 5 at the Arcade Ground,
Asaba, attracted thousands of residents in the Delta North Senatorial
district of the state.

The Organisation
for the Advancement of the Anioma Culture (OFAAC), organised the
seventh edition of the annual celebration themed ‘Promoting Cultural
Tourism for Sustainable Development’. It featured dances, music,
fashion, food fair, and other arts peculiar to the people.

Opening glee

Members of a group
which appeared unable to contain its excitement left their seats as
gaily costumed troupes poured into the venue. They paired and showed
off their dancing skills to onlookers before the formal commencement. A
traditional flutist welcomed people while the MC, Tony Emordi,
acknowledged the royalty present.

Traditional title
holder, the Omu of Anioma, Obi Martha Dunkwu, arrived in style. A
traditional flutist trailed her while an older woman in her entourage
of seven women shrieked intermittently. Governor of Delta State,
Emmanuel Uduaghan, who was expected, failed to show up. Secretary to
the state government, Ifeanyi Okowa, who is from Anioma, was however
part of the celebration. He led guests on the high table to view the
display of local foods, beads, Akwa-Ocha woven cloth, and artworks
mounted in an exhibition in the course of the programme.

Surprise winner

Troupes from
primary schools were the first to present their dances and they awed
the audience with their dancing skills. Though they knew they were
competing for a prize, they chose to enjoy themselves and entertain
guests while at it.

Donne Foundation
School, Kwale, and Abuano Primary School, Ogwuashi – Uku, were
outstanding in their costumes and dances, so much so that people
assumed one of them would win the primary school category. The Santa
Maria school troupe, Kwale, which arrived late, however carried the
day, while Abuano School and Donne Foundation came second and third
respectively.

Dances and masquerades

Professional
cultural troupes that vied for honours at the festival were from nine
of the 25 local governments of Delta State inhabited by the Anioma
people. Some groups from Enugu State also participated. Though the
Omadu Boys Dance Troupe danced vigorously, the crowd was more
interested in the antics of the troupe’s masquerade – a male that
dressed and behaved like a beautiful lady.

The Ebubedike of
Ashaka Dancing Troupe’s masquerade however, beat the Omadu masquerade
in the showing off stakes. Though not as good as the Omadu masquerade
in sashaying, the Ebubedike ‘female’ masquerade got familiar with some
students in the audience. A young boy looked the masquerade in the eye
and called out “Fine boy.” It rewarded the cheeky boy by shaking its
raffia skirted buttocks at him.

The second
masquerade of the Ebubedike group commanded the greatest attention. It
was a big scary one that sent little children fleeing into the safety
of their mother’s arms. It also won for the Ebubedike Troupe, the prize
in the masquerade dance category.

The dance
performance that appealed most to the mature members in the audience
was the Agwuba Royal Dance, performed by the Anioma Cultural Troupe.
The stately dance steps were mirrored by philanthropist, Newton
Jibunoh, his wife Elizabeth, and Nkem Ajufo (from the Delta State
Tourism Board) – as the trio joined the dancers on the field.

The group, Ebu
Wonder’s performance won’t be forgotten in a hurry. People wondered
what was in the three feet long box the magicians in red brought into
the field. But they did not wait for long as the box opened to release
a 12-feet-long masquerade which danced around, stood from both ends,
and became as flat as a pile of clothes laid on the floor, before being
bundled back into the box. This wasn’t all the group had to offer. One
man went round with a basket full of water and not one drop leaked from
the basket, to the amazement of the crowd.

The ‘Heavenly
Steppers’, comprising three young girls, incorporated some gymnastics
and the wave making ‘Alanta’ dance into their performance. They
squealed in excitement when they were announced winner of the
contemporary dance category.

The Onu-Anioma
group eventually won the overall first prize at the end of proceedings.
They got a trophy and N300,000 for their efforts. The group, which also
won the prize last year, performed a striking planting and harvesting
dance. The applause which greeted their victory was deafening,
affirming that the audience supported their victory. Uloko Dance Troupe
of Ishiago from Issele Asaba came second, while the African Voices
Group from Kwale, was third.

The wrestlers

While the Egbulu
Akiti group emerged winner in the war dance category, the pantomime
performed by Otu Ita Buisi Biani Troupe from Ogwashi-Uku, won in the
storytelling category.

Accompanied by
drums, the Ekwe Troupe performed a story about how a beautiful maiden’s
pot was broken by two young men. The maiden cried home to her parents
only for both men to come bearing gifts of yam and palm-wine, asking to
marry the maiden. When both men refused to pick from the maiden’s
friends but insisted on her, it was decided that a wrestling match
would settle the matter.

The pantomime was
a good way of announcing the wrestling event which came up next.
However, the wrestlers were too anxious and they contravened some of
the rules of traditional wrestling in their anxiety. The umpire had to
end the event in order not to encourage personal vendetta amongst the
three wrestling groups. The already excited audience was disappointed,
naturally.

Telecommunication company, MTN, partnered with the organisers and
conducted a raffle (separate from OFAAC’s own raffle draw) as part of
the festivities.The fiesta finally ended with the OFAAC raffle draw.
Winners went home with generators, motorcycles, bags of rice, and
standing fans.

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A true highlife veteran

A true highlife veteran

There is a saying
that old soldiers never die. Rather, they simply fade away. Old
musicians also never die. The best of them mellow like very good wine
and, their music; as they grow older, can be quite intoxicating to
genuine fans. They pack so much experience, loaded with a storehouse of
emotions that span many decades, to overwhelm listeners and solicit
their heart-felt appreciation. One such musician who perfectly
demonstrates this reality of musical longevity and acumen is trumpeter
Afro John Odigwe.

Born of a Benin
mother and an Agbor father, his musical career started in 1957, after
his primary school education; at St. Paul’s Seminary in Benin City
where he was taught music by Irishman Father P. J. Kelly (later
Bishop), the then Head of the Seminary Diocese. The young John Odigwe
became a member of the church band. His initial ambition was to become
a Catholic priest but “diverted to become a teacher.” He also
literarily abandoned church music “because it was not paying and I
wanted to earn money as a professional musician.”

Now 71, Afro John
Odigwe, a seasoned Highlife-music trumpeter, leads his band in live
performance every Thursday night at the Hexagon Entertainment Centre
along Golf Course Road in Benin City. He has been at the Hexagon for
just over two years in a long musical career that has now clocked 41
years. You name them and trumpeter Afro has played with them – the best
Nigerian Highlife bandleaders across the country – and he enjoys the
pride of having been a member of their bands when they recorded the
mega-hits usually associated with them.

Fela and Rex Lawson

He started off with
Fela Ransome Kuti in Ibadan in 1967 during the Civil War; and moved to
Lagos with Fela’s band that included Henry Koffi on three-membrane
congas, Tony Allen on drums, Igo Chico on tenor saxophone, Lekan
Animashaun on baritone saxophone, amongst others. He recalls that Fela
who then was still playing the trumpet as well as the keyboards, taught
him “some keys on trumpet.” Strangely, they were not paid salaries, but
were given accommodation and fed. He left Fela in 1968 and joined
Cardinal Rex Jim Lawson as the second trumpeter and stayed until 1971,
again learning more about the trumpet from Lawson.

Not surprisingly,
he still holds these trumpeters and bandleaders in high esteem. “Of the
many trumpeters in Nigeria then, both were top trumpeters and
outstanding,” he recalls, adding that, “Jim Lawson was a raw highlife
specialist while Fela was an Afrojazz-Highlife specialist.” His musical
legacy with these bandleaders is that he recorded mega-hits like ‘Water
No Get Enemy’ with Fela and, ‘Love Adure’, ‘Mama Dey For Kumba’,
‘Udaja’ with Lawson and his Rivers Men Band.

Celestine Ukwu and Victor Uwaifo

Another unique
Highlife musician and bandleader Afro is proud to have played with is
xylophonist Celestine Ukwu and his Philosophers Band, based in Enugu.
“Celestine Ukwu was the lead singer and I learnt how to play and sing
his numbers. Celestine, Lawson and Fela were great and gifted original
composers, that is why they had so many hits that are still evergreen
today. I recorded the hits ‘Ijenu’ and ‘No Condition is Permanent’ with
Celestine Ukwu. They were simply the best composers because they were
very original. There used to be a lot of competition amongst Highlife
musicians and Rex Lawson came out first. Lawson’s ‘Love Adure’ was a
gold disc while Ukwu’s ‘Ijenu’ was a silver disc.”

Afro John Odigwe
can also be classified as a musical journeyman. He has played with
Victor Uwaifo, played on the same bill with the great Ramblers and
Black Beat bands from Ghana; and his last gig was with Eno Louis.

Highlife survivor

That Afro John
Odigwe plays the trumpet and sings sitting is as a result of a horrific
accident when Eno Louis’ band was travelling to fulfil a booking.
Invariably we get around talking about the occupational hazards of
Nigerian musicians as they zigzag across the country. “Celestine Ukwu
died in an accident at nine-mile in Enugu, Rex Lawson died in an
accident at Uronigbe near Agbor and Erasmus Jenewari died in an
accident in his new car at Obigbo. God knows why and I thank him that I
survived,” he observes philosophically.

What is his take on
the state of music today? “Most musicians who know the quality of music
have died,” he laments. “The present bands are involved in obituary
music. They play for obituaries and not in clubs anymore. That is why
the profession has collapsed.” He is not happy about the welfare of
musicians today. “Music is getting worse because most people that are
able to form their bands are not able to take care of their musicians
like hotel and club proprietors do – Bobby Benson in those days and
Omoregbe Erediauwa of Hexagon now.”

Highlife lives

Is Highlife dead?
“Highlife is not dead. If you go to civilised places like Ghana,
Highlife is still recognised and respected because Nkrumah had a School
of Music and, he gave prominence to Highlife. People in Nigeria are not
able to cope with the standard of the old seasoned musicians. People
now play Kokoma music which is a watered-down version of Highlife. Some
have diverted. I bring back memories of music on which older people
were brought up. Young people are not interested in Highlife. Even if
they can play instruments they cannot compose; and because of their
inexperience they only go for the music that is in vogue to earn money!”

Sadness and joy

Afro John Odigwe’s
band at the Hexagon has another old timer; 68-year old drummer Joe Uba,
a fantastic energetic drummer with vast experience including a stint
with Eddie Okonta. His ace guitarist, Splendour, has grown in the mould
of great Highlife guitarists like O.K.Jazz Otaru and was formerly with
Lagbaja. He attributes the fact that his band is tight and very
knowledgeable about the Highlife genre to the fact that “they have been
coached.”

Odigwe believes
that it is no accident that most of the Highlife greats “sang and
played in their personal language and rhythms. Rex in Ijaw, Uwaifo –
Edo, Celestine – Ibo, Olaiya – Yoruba and Fela started in Yoruba.
Everybody is playing in their dialects; Ghanaians too, although a few
Nigerians and Ghanaians sing in English.” Although he has composed at
least half-a-dozen songs he is yet to record them. At the Hexagon he
takes his listeners down the memory lane of Highlife’s golden age.
“They want us to play the old Highlife exactly as it was played
especially on the hit records. Some people might cal us copycats but
they still appreciate how well we play the old Highlife because we were
part of the bands that recorded these hit Highlife songs.”

Any regrets? “I regret I have no band because I cannot afford
instruments. I regret because I should have been better known.” However
when Afro John Odigwe raises his trumpet to his lips or sings into the
microphone, he continues to produce sounds of joy!

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