Archive for nigeriang

Small Boy with big problems

Small Boy with big problems

Many adults can
imagine the horrible lifestyle of a Lagos street kid, but would hardly
want to live it. The impact of this hits home harder after you‘ve seen
Michelle Bello’s ‘Small Boy,’ a film about 10-year-old Sunny Agaga who
finds himself struggling to survive on the Lagos streets.

Set in a Lagos
slum, ‘Small Boy’ is, however, not another ‘Slumdog Millonaire’ yarn.
Sunny’s journey begins after a dispute between his mother, Aina (Najite
Dede) and father Sunmi (Akin Lewis). It is the final act of spousal
abuse that opens his mother’s eyes to the need to flee for her life. At
their borrowed lodgings, Aina transfers her aggression to young Sunny
(AMAA-winning child actor, Richard Chukwuma) and accuses him of theft.
He runs endlessly into the night. So begins life on the streets.

What ensues is a
depiction of the lad’s picaresque existence, echoing scenes from ‘Les
Miserables’, ‘August Rush’ and ‘Oliver Twist’.

Sunny makes friends
with Deola, played by Agbolade Gbolahan, who nearly steals the show
from Chukwuma. Deola and his gang of urchins – one of whom is named
Dragon – all fall within Sunny’s age-range and work under the
supervision of the Fagin-like Oyi, played by Toyin Oshinaike.

Nobert Young in a
cameo role as the drug peddling ‘Presido’ unwittingly sets Sunny on the
journey to finding himself. Some might be surprised to find out the
kind of job these boys do when they are on the run. For the
uninitiated, it is at this point that you might feel concerned that
‘Small Boy’ is actually based on a true story.

The film does not
go into the politics of this, but it becomes obvious that society is
not handling the problem of juvenile delinquency effectively.
Especially when elected lawmakers break all laws, including those that
should protect children.

‘Small Boy,’
however succeeds at not being preachy or excessively didactic. The
script by Makinde Adeniran, who also handled the casting, is an
original in the realm of Nollywood scriptwriting. Using the power of
imagery and few words, Michelle Bello’s style and approach to directing
is forward-looking in terms of storytelling. Acquiring the viewer’s
eye, Bello showed more than she told.

A carving on the
wall in the Agaga household ironically reads “One love keeps us
together” when that is not the case in the family. As Sunny’s mother
and brother embark on a frantic search for him, a road sign points out
‘Murtala Mohammed Way’ and ‘Herbert Macaulay Way.’ Sunny could have
gone anywhere in a million and one places. Their search has only just
begun.

Note: there’s
hardly any romance when you consider many characters in this film are
brutes of some sort. But what little romance there is, is key to the
unfolding of ‘Small Boy’s plot; a very effective type of cause and
effect.

Aiding imagination

It is however
unfortunate that we neither get to see Sunmi again nor does a love
affair bloom between Aina and Ade (played by Wale Macaulay also in a
cameo role). Maybe it works better that we get to imagine.

Also aiding
imagination was the use of sound. Like all good film scores should, the
‘Small Boy’ score heralded the ominous and the joyous, pre-empting the
audience’s emotions and reactions.

Thankfully, the
music in this film is not distractive. The music by Robb Williamson and
Justin Horsford is a lesson in film music for Nollywood practitioners
who are usually content with slamming hits straight off the charts into
their hastily-done movies.

Through Bello’s
deft use of almost every angle available to a director, we see Sunny’s
sorry sojourn side by side his mother’s torment at losing him. This is
not the repetitive, melodramatic dross served up in Nollywood. It’s not
all serious, heavy stuff though. A few comic spots light up our faces
especially when the young ones make good their threat to ‘show’ a man
for parking his rickety car at their meeting point.

Getting the best of
child actors has never been easy, especially in a film studded with
older stars. But the young ones get a grip of the screen minutes into
this work and the viewer is the happier for it because these kids
really can act. If all we see of Sunny is the wacky goal-scoring
celebration he does at the start of the movie, that’s enough proof.

‘Small Boy’ has
gone on to make its mark in Nigeria and beyond, winning two AMAA awards
in 2009, including one for Best Art Direction; and garnering
nominations at the 2008 American Black Film Festival.

Anyone who sees
‘Small Boy’ – a gripping tale of child abuse – is likely to end up
taking a new look at all those other Sunny-like small boys who roam the
streets, especially in Lagos: they might not just be beggars or
windscreen cleaners. When ‘Small Boy’ comes to town you don’t want to
miss it.

‘Small Boy’ premieres at the Silverbird Cinemas, Lagos, on May 27.

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Adeola Balogun, an art catalyst

Adeola Balogun, an art catalyst

Standing tall on
Ayobola Street in the Alagbado area of Lagos is a building that is
architecturally sculptured in metal designs. The aesthetics will cause
any passer-by to stop and wonder who could have thought so creatively
in designing the house. It is not very surprising to learn that the
house belongs to Adeola Balogun, sculpture lecturer at the Yaba College
of Technology (YABATECH).

No sooner than I
entered the artist’s studio in the house that he started talking about
an art work he is working on. Balogun’s phone beeped and he answered.
“Give me like an hour,” he told his caller. “Boy, I have only 30
minutes to spend here, I need to meet a client,” he said after
receiving the call. That made me realise how busy Balogun is even when
he is not teaching. “I thought today is a Sunday and you are supposed
to be having your rest,” I noted. “Rest”? He asked. “You can’t eat your
cake and have it. Do you think business and pleasure go together?”

Artistic foundation

Born on November
17, 1966 in Otta, Ogun State, Balogun grew up in Lagos. The academic
moved back to Otta, a city known for Egungun festivals in 1979, in
pursuit of education. That childhood exposure to masquerades’
ornamented attire would later influence his works.

Balogun, son of
Muslim parents, attended Quranic School (known locally as ‘Ile-Kewu’)
early and was forbidden from Oke’de, Otta, where masquerades performed.
This stimulated his interest in religion and faith, and made him
research Egungun later in life.

Balogun was
influenced to study art from childhood by his environment, and by a
teacher who noticed his innocent drawings. He learnt his trade formally
at Yabatech where he bagged the Best Student Award in the Department of
Fine Arts; and was retained as a lecturer for his brilliance after his
youth service. The artist still thirsted for knowledge, and proceeded
to obtain his Masters degree in Fine Art (MFA) from the University of
Benin in 2004.

Art of used tyres

Balogun’s new solo
exhibition titled ‘Infinite Patterns and Forms’, features works made
from used and abandoned tyres. Okada (motorcycles) tyres feature
prominently as a medium in the new artworks. Why used tyres?

His answer: “It’s
like a metaphor; I am relating the lifestyle of typical civil servants
in Nigeria to that of used and abandoned tyres. When I buy tyres for my
cars, I go to the extent of polishing them virtually every week after
washing them with black-gold patina to give them the sheen. Whenever I
see them, I feel happy because they appear beautiful. After a period,
the tyres get worn-out and they don’t appeal to one again.

“What follows is
that one finds a way to dispose them. The irony of this is that these
are tyres that served me for long but now that they are old, I need to
dispose them. This could be [compared] to the lifestyle of civil
servants in the country.

“In this part of
the world, when workers are in active service, the government takes
care of them. But immediately they are not useful again, probably
because they have attained the retirement age, government does away
with them.

“These one-time
heroes don’t get paid on time; most of them die before their benefits
are paid. Those who do not die probably become burdens to the society
and to their immediate family – like abandoned tyres which litter the
streets and block drainages during flood. This is the perspective I
have thought and [it] really inspired me to pass the message across.”

Art of masquerades

The artist also explained why masquerades, which have fascinated him since childhood, are represented in this exhibition.

“In reality,
masquerades’ attires are made by people and are beautifully adorned
with several ornaments. Immediately the masquerades come out to
perform, they become an idol and people turn them to gods by singing
their praises while worshipping them, whereas they are empowered by the
same people.

“This scenario has
been critically looked into and likened to that of a politician. Before
election, they eat, dine and wine with colleagues, but as soon as they
hold the staff of office they turn to something else.

“These are
ensembles that cost much to design and elections that nearly emptied
our treasury. At the end, what do we get from it? Nothing. “What I
advocate for is that power belongs to individual and not the other way
round,” he added.

Art and Nigeria’s economy

Making positive
comments is also a focus of ‘Infinite Patterns and Forms’. “For
instance, we all know that in Nigeria, the power supply is epileptic.
Why don’t we channel our energy positively towards how can we better
what we have, rather than just seeing things in negative directions?

“Let us shift our
attention from lack and not allow what is going on in our society to
subdue us. Because the more we think about the problem, the more we get
into it. So, what am advocating through my works is that we should take
our minds off the problem and shift them on the solution.”

Balogun has held
solo and group exhibitions within and outside Nigeria. He facilitated
at the recently concluded Harmattan workshop in Agbarha Otor, Delta
State.

‘Infinite Patterns and Forms’ opens on May 29 at the Nike Art Gallery, 2 Elegushi Street, 2nd Roundabout, Lekki Phase I, Lagos.

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‘Bariga Boy’ wins AfroPop film prize

‘Bariga Boy’ wins AfroPop film prize

Filmmaker Femi
Odugbemi’s ‘Bariga Boy’ on Wednesday, May 19, won the AfroPop Prize for
Best Film at the 5th Real Life Documentary Festival in Accra, Ghana.
The award is the third honour the film on Segun Adefila and the Crown
Troupe of Africa has won recently. It won the Best Documentary Prize at
the 2010 AMAA Awards in April and won in the same category at the Abuja
Film Festival.

Eminent academics,
literary, film and art personalities attended the award ceremony held
at Goethe Institut, Accra. They include Manthia Diawara, professor and
head, Literature and African Studies, New York University, who launched
a book on African cinema at the occasion; Ed Gurrero, professor of Film
Studies at New York University; filmmakers Christine Choy, Yeman
Demissie from Ethiopia and Stephanie Black.

Chair of the
ceremony, the poet Kofi Anyidoho, noted that the festival “is dedicated
to documentary films based on the histories, peoples, heroes, cities
and locations of African and diasporic communities. It brings together
filmmakers, scholars, students and film enthusiasts to one of the
greatest historic Pan-African cities in the world – Accra.”

Anyidoho added that
the festival is on its way to becoming Africa’s major forum for the
production, cataloguing and exhibition of documentary film records of
African and African-diasporic subjects in global history because of the
dedication of its founders, Lydie Diakhate and Awam Amkpa.

The winner of the
AfroPop Prize sponsored by the National Black Programming Consortium
(NBPC), United States, paid tribute to Adefila and the Crown Troupe in
his acceptance speech. He noted that Adefila is a model worth emulating
by other youth because of his passion for advocating social change with
his works despite operating in a hostile environment. Odugbemi
reiterated that, “for Africa to catch up with the world
infrastructurally, politically and economically, artists of all shades
must stand up to be counted. Our talent must speak out to challenge
power and inspire change.”

Co-founder and
co-director of the festival, Diakhate lauded the Nigerian filmmaker’s
win. “I am very happy that Femi Odugbemi got the AfroPop Prize. He did
a beautiful work and I really enjoyed the way he portrayed a young
gifted Nigerian artist and his neighbourhood.”

She added that,
“The awards are for me very important because it is a great opportunity
for the festival to give recognition to contemporary African visual
productions.”

Other awards
presented at the festival which started on Sunday, May 16 and ended on
Thursday, May 20 were the Walter Mosley Prize worth $5,000 won by
Yemani Demissie and Joe Ampha Prize which carries a cash prize of
$1,000. Young Ghanaian student filmmaker, Elizabeth Coleman, won the
prize for her short film ‘Camp Healing’.

Several documentary
films including John Akomfrah’s ‘The Genome Chronicles’; Senegalese
Ousmane Mbaye’s ‘Mere Bi’ and Claus Wischmann and Martin Baer’s
collaboration, ‘Kinshasha Symphony’ were screened at the festival.
‘Twilight Revelations’ by Ethiopia’s Yemane Demissie and ‘Africa Unite’
by Stephanie Black were also shown.

With this win, Odugbemi’s ‘Bariga Boy’ will likely be shown on
‘AfroPop: The Ultimate Cultural Exchange’, a US based public TV show
featuring independent documentaries and short films about life art and
culture from the contemporary African Diaspora. The show is hosted by
actor Idris Elba and the winner of the AfroPop award is offered a
three-year contract worth up to $8000.

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Why do cougars die young?

Why do cougars die young?

Rare is the study
that unites cougars and gold diggers. But according to recent numbers
from the Max Planck Institute for Demographic Research in Germany,
women who marry much younger men have something in common with women
who marry much older men. Both groups suffer an increased risk of death.

Why would age-gap relationships affect women’s longevity?

The reasons depend
on which group you fall into. For younger women with older husbands,
life expectancy can be both the cause and the effect.

“When a younger
woman marries an older man, he is more likely to die before she does,”
Dr. David Eigen, a psychologist based in Boca Raton, Florida, USA,
says. “And we know that when one spouse dies, the other is more likely
to die within a few years.” In other words, take up with an older man,
and be prepared to take on some of his risk of death too.

Younger women are
particularly at risk when it comes to kicking the bucket soon after an
older husband dies because younger women tend to be more financially
dependent on their husbands.

“After the death of
a spouse, there’s the greater possibility (that) women will suffer
financial hardship, which can weigh on a person,” Eigen, author of
“Women – The Goddesses of Wisdom” (Gender Studies Institute Press,
2010), says.

Call it the Anna
Nicole Smith Effect: A year after the death of her billionaire husband,
69 years her senior, the busty blonde was in bankruptcy and ensnared in
multiple legal battles.

But even if your older gentleman is still breathing, he may not be huffing along vigorously enough to keep you young.

“A younger woman
living with an older guy is more likely to be doing activities that,
well, don’t keep her young,” Eigen says, “like playing bingo.” And even
if your husband is keeping you active, it might not be the right kind
of active.

“Women who marry
older men often become caregivers, and caregiving is stressful and can
shorten a woman’s life span by about 25 percent,” Debbie Mandel, author
of “Addicted to Stress: A Woman’s 7 Step Program to Reclaim Joy and
Spontaneity in Life” (Jossey-Bass, 2008), says.

So trade in your aging husband for a younger, fresher face and increase your longevity in the process?

Unfortunately, it’s
not that simple. The study’s researchers say the age gap cuts both
ways, and that even women who marry the strapping young mountain biker
– the so-called cougars- may see their risk of death increase as well.

A 2003 study by
AARP (American Association of Retired Persons) found that 34 percent of
all women over 40 in the survey were dating younger men, and 35 percent
preferred it to dating older men. Mandel says that women in these
relationships – the kind that TV shows like Courteney Cox’s “Cougar
Town” have made icons of – are put under a particular strain when it
comes to aging and body image, even more so than women who are married
to men their own age.

“When your husband
is young and your body is changing, you are more stressed and insecure
than the average woman,” Mandel says. “Stress is an inflammatory
process, which causes cardiovascular problems and has been implicated
in many disease processes as well as exacerbating symptoms.” This can
also, she says, lead older women to exercise addiction and severe
dieting.

Dr. Richard A. Friedman, a professor of clinical psychiatry at Weil Cornell Medical College in New York City, agrees.

“Maybe there is
something more stressful, socially and physically, about the role of
being the older woman in a couple,” he says. “They have to keep up with
their younger and more energetic husbands.” Susan Winter, the author of
“Older Women, Younger Men” (New Horizon Press, 2000), who has lived
with (and been married to) men who have ranged from 16 to 22 years her
junior, says it’s not easy to live outside the social sanctions.

“I know. I’ve done it,” she says.

“In essence, women
are dying earlier because society invalidates their choice of partner.
So maybe it is the limited social construct that kills, not the mate’s
age.” Which means that the increasing normalisation of older women with
younger men could make a difference. Samantha Jones, Madonna and Demi
Moore just might save us yet.

“Without that
societally imposed stress, a later study may prove it’s actually
healthier for women to have a younger husband,” Winter says.

So forced to choose – for your life span’s sake, of course – is it healthier to go younger or older?

According to the
study, women marrying a partner seven to nine years younger increase
their relative mortality risk by 20 percent compared with couples who
are both the same age.

If your partner is seven to nine years older, your relative mortality increases by only 8 percent.

But personally, Winter doesn’t care.

“As for me,” she
says, “I would rather die of a heart attack in bed with my younger man
than die of boredom changing adult Pampers.” (Hannah Seligson’s book,
“A Little Bit Married: How to Know When It’s Time to Walk Down the
Aisle or Out the Door,” will be published by Da Capo Press in January)

New York Times Service

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Minority politics and other matters

Minority politics and other matters

The elevation of architect, Mohammed Namadi Sambo,
former governor of Kaduna State to the position of Vice President of
Nigeria paved way for his deputy, Mr. Patrick Ibrahim Yakowa to become
governor of the state. Initially there were rumours that Yakowa, a
Christian from the southern part would face strong opposition from the
majority Muslim population of the state. It turned out that the rumours
were the handiwork of detractors whose candidate lost out in the race
to be vice president. Rightfully, the Sultan of Sokoto dispelled the
rumours and pledged Muslim support for the new governor.

The fact that only the unexpected elevation of
Sambo to vice president made it possible for Yakowa to be governor
raises serious issues about our brand of politics, the concepts of
majority and minority, competence in the selection of candidates and
the entire electoral process.

If there ever was a candidate qualified to be
governor of Kaduna State, that candidate would be Patrick Yakowa. This
man was a director in the Federal Civil Service in important ministries
like Water Resources and Defence, Kaduna State chairman of one of
General Babangida’s two defunct parties, commissioner in Kaduna State
for several years, Minister of Solid Minerals under General Abdulsalam
and federal permanent secretary.

After leaving the Federal Civil Service, Yakowa
became secretary to the state government, and upon the death of former
Kaduna State deputy governor, took over that position under then
Governor Makarfi. Ordinarily, he should have stepped into his boss’s
shoes and become governor in 2007, but so timid was minority politics
that he hardly bothered to contest the primaries.

After the political abracadabra that brought the
then relatively unknown Sambo to Kaduna government as governor, Patrick
Yakowa was content to remain as deputy governor. That was the limit of
his political aspirations, restricted as it were, not by lack of
ambition, but the issue of minority and majority politics.

The patient dog, they say, may eat the fattest
bone, and Yakowa’s patience has paid off. The danger in accepting this
position is, what if President Umaru Musa Yar’Adua had not died? Or
what if another of the numerous contenders for the position of vice
president had been nominated? That would mean that Yakowa, as qualified
as he is to be governor, with his far reaching contacts and many Muslim
friends in Kaduna and elsewhere across Nigeria, might never have become
governor. This is a man who in all likelihood has more experience in
politics, public administration and governance than his two
predecessors in office – Senator Makarfi and Vice President Sambo
combined.

Unless Yakowa gets distracted by the desire and
pressure to contest for governor in his own right in 2011, he may prove
to be a better administrator than both men. And that, exactly, is the
point of this piece because if he falls for the politics of religion
and ethnicity, and not competence, he may not win. Across Nigeria, the
partition of Africa that the Berlin Conference started so long ago has
been perfected by the politics of state and local government creation.
And as more states are created, so are new minorities. Thus, in Kaduna,
only the emergence of Sambo as vice president made it possible for
Yakowa to become governor.

In Benue State, the Tivs would probably never
surrender the governorship to an Idoma no matter how qualified and
experienced. This happened in 2007 when Mike Onoja, an Idoma retired
federal permanent secretary with all the right contacts lost the PDP
primaries to the relatively inexperienced Gabriel Suswan, from the
majority Tiv. If the Idomas succeed in getting Apa state, the Igedes
would become the minorities in the new state and may never produce a
governor. In Taraba State, a Muslim candidate for governor, regardless
of qualification for the position would require Christian support to be
elected.

In Adamawa state, Boni Haruna, a Christian broke
that trend and was governor for eight years, beating Muslim candidates
in 2003, but it is now business as usual. In Plateau State, despite its
large Muslim population, no Muslim has been deputy governor in this
Republic. The highest elected office Muslims occupy is deputy speaker
of the State House of Assembly. In the south, even in relatively
cosmopolitan and homogeneous states like Ogun, issues exist between the
Egbas and the Ijebus.

In the final analysis, when religion or ethnicity,
rather than qualification and competence determine who gets elected
into what office, our political system may continue to remain one of
garbage in, garbage out.

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Our impending financial doom

Our impending financial doom

There is reason to believe that Nigeria is broke.
The Minister of State for Finance, Remi Babalola made the confession
last week, at the meeting of the Federation Allocation Accounts
Committee, the government body charged with sharing monies between the
three tiers of government – Federal, State and Local.

The three tiers of government ought to have shared
500 billion naira monthly between January and March 2010, making a
total of about 1.5 trillion naira. However, only half of that amount
was shared. The balance of that money (737 billion naira) is what is
now the bone of contention between the Federal and State Governments.
The country doesn’t have the money at hand. The only alternative is to
dip into our “savings account”, designated as the Excess Crude Account
(ECA), funded from our oil earnings in times of boom. The 737 billion
naira that should augment the monies already shared out is far in
excess of the 212 billion in our Domestic Excess Crude Account.

The import of this is that after emptying our
Domestic Excess Crude Account, we still have to turn to the Foreign
Excess Crude Account for more money to share. Doing that would deplete
the FECA significantly, and there would still be no guarantees that
future monthly allocations would be possible.

Because of this the FAAC is holding back on the
disbursement of the balance of the January – March funds. Mr. Babalola
said: “So, there is a problem, so we need to sit down with the
President and others to again look at the assumptions and estimates of
the 2010 budget, otherwise if we pay the entire money now, we may not
actually have any money to pay in the next one or two months. We are
not saying that there no money to be shared. But, we are saying that
before one can touch money in the Excess Crude Account, one must have
the approval of the President. Besides, if we continue to use the 2009
budget estimate to share allocations, we are going to run into the
cloud in the next one or two months.”

The state governments on their own part will have
none of this, and are insisting on getting their money. “Having signed
the appropriation into an Act, its full implementation should begin
immediately from January till date. Therefore, those areas that were
left out as a result of the absence of an Act should be smoothened out
by clearing the differential between what was paid before the Act and
what should be paid after,” a state Commissioner of Finance argued.

The disagreement led to a stalemate during the
FAAC meeting, so that newspapers widely reported that it was the
shortest meeting in the history of the Committee. It was even reported
that representatives of the state governments walked out of the meeting
in frustration.

As a way out of the impasse Mr. Babalola was
quoted as saying: “We may thus be constrained to amongst others
consider amending the revenue profile of the 2010 budget or
re-negotiate with all relevant stakeholders the monthly distributable
amount pending improvements in the budgeted revenue profile.”

It is curious that even in this critical state the
managers of our nation’s finances are sounding tentative, clueless
even. The Minister of State for Finance is still talking as though
“amending the revenue profile of the 2010 budget or [re-negotiating]
with all relevant stakeholders the monthly distributable amount” is
merely an option, not an urgent necessity.

This government that is speaking of an Excess
Crude Account is the same one that only weeks ago told us that it is
determined to urgently replace the Account – a creation peculiar to
Nigeria – with a Sovereign Wealth Fund, in line with global best
practices. The Minister of Finance, Segun Aganga, described the
sovereign wealth fund as a “very robust institutional framework for
managing excess revenue which today we do have in the excess crude
account.” He also said that the government had set up a committee to
make the fund a reality.

From the foregoing, one thing is obvious:
Nigeria’s finances are deeply mired in confusion. The management of our
country’s wealth is characterized a painful lack of direction, and in
cases where there is direction, lack of the political will to see plans
through to completion. There are also the myriad policy somersaults, in
part attributable to the frequent changes in personnel that occur at
the highest levels of government. In the last four years the country
has had not less than four Ministers of Finance, with little effort to
ensure consistency in policy formulation. We have drifted away from the
transparent accounting pattern that characterized the Ngozi
Okonjo-Iweala era. The National Economic Empowerment and Development
Strategy (NEEDS) to which the Obasanjo administration devoted much
effort and funding, is now a relic, abandoned by the new
powers-that-be. Plans to reduce our dependence on oil exports and
diversify the economy also appear to have fallen off the priority list.

Our economy is adrift, the confusion pervading it a microcosm of the
larger confusion in which our country as a whole is mired. In the
build-up to the 2011 elections, it is important that our policy makers
and technocrats do not allow themselves to get mired in the politicking
that is sure to take center stage, but move from their tentative
speeches, into the arena of drastic action. Anything less,and we are
doomed.

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HERE AND THERE: The pursuit of happiness

HERE AND THERE: The pursuit of happiness

A study by Ruth Uwaifo Oyelere, dated December
2007 examines gender disparities in income in Nigeria and takes a look
at education benefits from democracy against this background. Titled,
Within and Between Gender Disparities in Income and Education Benefits
From Democracy, its conclusions mirror what one would expect, even
without the benefit of the close analysis it offers.

Oyelere concludes, “these results imply a growing
gap in mean income and returns to education across gender”. However she
finds that “within “ these disparities the advent of democracy has
produced benefits. Oyelere also discovered that the income gap between
men and women has grown on average and this growth gap is restricted to
the lower levels of education.

One of the significant implications of her study
was that, “inequality in the benefits of democracy are real and could
keep growing without government intervention.” So now there is a an
intelligent explanation for what has largely been anecdotal evidence of
an increase in the ferocity, as men claim, of the pressure from young
Nigerian females on the prowl for hollas, as in hol am well, aristos as
in cooler sugar daddies, boxed as in ready with the bucks, multis as in
six zero units, and Big Boys as in you know where. But then there was
always cause.

Back in the day, when every speech from OBJ was
premised on the future achievements of a strong and virile nation under
the military, anybody who expected a different outcome from what we
have now surely had to have been very short sighted. There is only one
obvious way to prove virility is there not?

The men in khaki conceived the country, (there is
no point in trying to avoid this pun) in their own image. Contracting
and supplying became instant careers for young women, just as clearing
and forwarding (aka backwarding and forwarding) from grid locked ports
was a direct path to financial liquidity for young men. When the
politicians in agbada came back the benefits of democracy flowed from
the houses, apartments and offices and hotels that had to be built and
furnished to accommodate the multiple realms of government, and so the
largesse was spread a little wider.

It was also orchestrated in accords and preludes
of the Honda variety that became the vehicles of choice. Each
generation has its brand symbols.

The gender disparities in who held the reins of
power and was therefore was in a position to allocate, were glaring and
for the most part went unquestioned. There has not been that much of a
shift today where Nigeria lags behind other smaller and less wealthy
African countries, like Rwanda for example, in breaking down gender
barriers and in legislating for the inclusion of women in governance
and politics.

In a society with large disparities in income
between men and women it should not be surprising that finding a rich
boyfriend or husband would be seen a path to financial security, or at
least as a means to an end.Between the young women and the rich men
there is a group that is left high and dry to seek self validation
wherever they can- young men who have not yet made their mark and can
be uncharitable and harsh judges of their female contemporaries.

This is often most obvious in movie depictions of
student life in our universities and in a number of ‘investigative’
journalism forays into the so called sexual depravity of female
undergrads that just stop short of branding them as prostitutes. What
is surprising is the venom sometimes directed against such women, given
that the whole situation is essentially one that operates on the basis
of supply and demand. There are two sides in this game: the procurers
who ‘charter’ the entertainment for the big men parties, corporate,
business and political and the well heeled clients, pillars of society,
corporate, business and political who demand the titillation.

As a society though we tend to be pretty prosaic
about the nitty gritty of life. Call it a kind of hard nosed realism if
you like, but when it is conveyed in traditional terms it sounds much
more romantic; it is not really. When earnest parents name their
daughter Ogbeiyalu, a poor man will not marry you, they are praying for
the best for her aren’t they? Granted there may be a concept of wealth
that encompasses the abundance of values that make you rich in personal
attributes and lead to success in spiritual as well as material terms,
but there is link between the two.

Maybe part of the problem today is that we have
lost that link. We do not question whether Chief and Madam Bigs
acquired their wealth by fair means or foul.

Going back to Oyelere’s study it showed that
within gender,women with tertiary education are the obvious winners in
a post democratic Nigeria with much higher increase in income and
returns to their education than their counterparts.

Education and wider access to it, is the path to improvement in all things.

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DEEPENING DEMOCRACY: Party History and Party Future

DEEPENING DEMOCRACY: Party History and Party Future

Recently, state governors and key members of the
political elite stormed the National Assembly to demand legislation
imposing a two-party system in Nigeria. They decried the proliferation
of parties in the country and asserted that the current 57 registered
parties is an unworkable system.

The Nigerian ruling class has always dreamed of
the desirability of a two-party system that divides the political class
into a simple equation of a ruling class and an opposition that will
remain out of power. The high point in this regard was the 1964
elections when the Northern Peoples’ Congress brought in the Yoruba
elite of the Nigerian National Democratic Party and the Niger Deltans
of the Midwest Democratic Front and the Niger Democratic Congress into
the Nigerian National Alliance (NNA).

Obafemi Awolowo then took on the mantle of
organizing the United Progressive Grand Alliance (UPGA) into a
formidable opposition front with the Action Group, the National Council
of Nigerian Citizens (NCNC), the United Middle Belt Congress (UMBC) and
the Northern Elements Progressive Union (NEPU. It was a coalition that
could have won if free and fair elections. Premier Ahmadu Bello and
Prime Minister Tafawa Balewa were frightened, they rigged the 1964 and
1965 elections and the result was coup d’état, civil war and the
militarization of Nigeria.

We returned to politics in 1978. In that year, the
barons of the defunct Northern Peoples’ Congress, repeated their act.
The former secretary of the National Party of Nigeria, Uba Ahmed,
recounts in his thesis on the history of the party defended in the
University of Birmingham how they got A. M. Akinloye with his Oyo
Parapo group, T. O. S. Benson and K; O. Mbadiwe of the NCNC group and
Akanu Ibiam of the Igbo Forum to join them in forming the winning
coalition that was to be the National Party of Nigeria.

By incorporating Joseph Tarka of the UMBC, Aminu
Kano of NEPU, the Igbo elite split between K. O. Mbadiwe and Akanu
Ibiam, Awolowo was to be denied the capacity to lead a viable
opposition. The late Ibrahim Tahir boasted in the New Nigerian
(27/10/1978) that they have now achieved what De Gaulle did for France
by uniting all the political elite into one unbeatable political
formation.

The late political scientist, Billy Dudley
described the great joy of the Northern elite when they assembled in
Sokoto in 1978 for the celebration of the 40th anniversary of the late
Sultan of Sokoto, Sir Abubakar where the final deal on establishing the
NPN was sealed.

It did not work out that way. Nnamdi Azikiwe
repositioned the Igbo elite into the Nigerian Peoples Party, Aminu Kano
was humiliated out of the NPN and was successful in delivering Kano and
Kaduna states to the Peoples Redemption Party and of course Pa Awolowo
demonstrated he still controlled his turf. The NPN was shocked to
discover in the 1979 elections that it controlled only seven of the
nineteen states and needed legal chicanery in the Supreme Court to
pronounce Shehu Shagari as President.

The NPN went back to the drawing board. They
actively organized factions in all the other parties, got the Federal
Electoral Commission (FEDECO) to recognize the pro-NPN factions and
rigged the 1984 elections. On the last night of 1984, a certain General
Muhammadu Buhari, took over power on the grounds that Nigerian
democracy had been violated.

Then came the PDP, the current ruling party. Last
year, Governor Sule Lamido of Jigawa State visited a certain Ogbulafor
who held sway in the PDP to proclaim that he had no regrets about the
statement that his party intended to rule the country for the next
sixty years. He asserted that no party in the world would willingly
give out power to another. He concluded on the note that “my duty in
PDP is to go and destroy our opponents”.

What our history teaches us however is that
destroying political opponents is a sure route to dismantling our
democracy. The irony in Nigeria is that as the number of political
parties in the country increases, the movement towards a one-party
regime accelerates. The fear of one party rule has however consistently
destabilized our democracy.

As we think about political parties for the
future, we should remember that what Nigerians are crying for are
parties that are concerned about their welfare and the provision of
public goods. Parties that they can remove from power when they are not
satisfied with their performance. In essence, what Nigerian democracy
requires is a new type of party that believes in and respects
democratic values.

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Information technology and the power sector

Information technology and the power sector

As the present
Nigerian government is focused on ensuring that the relevant
infrastructure for stable power supply is in place, since stable and
affordable power supply effectively is the bedrock of the society, let
us this week analyse the role that private business, public sector and
information technology as an enabler need to play in achieving this
objective.

Stable and
affordable electricity which we crave for as a nation can be discussed
under the broad headings: generation of adequate power capacity,
effective distribution/maintenance of the infrastructure, marketing and
sales, and implementing accurate billing/payments mechanism or process.

So in ensuring that
we have stable power supply, it makes sense to rely heavily on the
private sector, since it is a proven fact that when a service is based
on competition, profit making, and investors monies are at stake, the
likelihood of maintaining continuity, reliability and efficiency in the
service provision is more likely to be achieved and the consumer is
better served.

In more advanced
countries, particularly in the United Kingdom, every stage of power
supply is privatised and I accept that this model has inherent
disadvantages, as there is clearly a junior role for the state to play
not only as a regulator but in the crucial role of power generation,
distribution, and maintenance of the underlying transmission
infrastructure.

Generation of adequate power capacity

Since we don’t have
an efficient power infrastructure base in Nigeria it makes sense that
both the state and the private sector are involved as partners in
ensuring the establishment of such infrastructure.

The state or its
agencies steer this partnership in ensuring that the objective is
achieved from a holistic point of view whilst the private sector
organisation whose primary objective is to provide an efficient service
and return profit to its shareholders has no choice than to deliver.

In such an
arrangement, even if it is just one company providing this service such
as is obtained in the UK where the National Grid performs this role, it
is must be target driven and based on clear, enforceable service level
agreements with built in severe monetary penalties.

Distribution and maintenance of the power transmission infrastructure

Again the relevant
infrastructure needs to be implemented and maintained to ensure power
is effectively distributed and clearly managed as a part, private and
public initiative (PPP) for the same reasons highlighted earlier.

The electricity
transmission network which includes cables and poles that ensure that
power is transmitted from where it is generated into our homes,
offices, shops must be maintained and looked after.

Marketing and sale

To ensure that a
competitive service is provided to the consumer, the actual sale of
power to the end user ought to be fully privatised and there should be
a minimum of five companies providing this service, just like in other
developing nations.

The consumer can
decide to choose any supplier based on price, quality of service,
customer service and responsiveness among others. If necessary it may
be best to invite foreign based electricity supply companies to get
involved but with a strict requirement to ensure that Nigerians over a
defined period of time dominate the management cadre and work force of
their organisations.

Implementing accurate billing/payments mechanism

The consumer must
be provided with the confidence that whatever billing process is
implemented is accurate and based on his consumption which will
encourage prompt payment. You are more likely to pay for a service
promptly when you are confident that you are paying the correct amount
for what you have used. The billing process must be transparent to the
consumer (available online) and should be able to withstand any manner
of scrutiny or audit.

Information Technology role

From the power
generation stage, to distribution and sale, accurate computerised meter
reading records need to be maintained, accurate computerised records of
wholesale purchase of power from the generating company by electricity
suppliers, consumer details and monitoring application systems need to
be implemented.

Online billing
systems and connectivity between systems used by competing electricity
supply companies must also be maintained so that a consumer can
seamlessly move over to another supplier based on their preference. All
the mentioned systems need to be in place to ensure that every stage in
the power supply chain is effective, accurate and auditable which will
provide all round confidence on all sides.

Competent IT
literate administrative staff and IT professionals will all be required
to enhance the application systems. For example, Centrica PLC, an
electricity supplier in the UK requires over 500 IT professionals to
support and maintain all the relevant electricity application systems
that automate every stage of the electricity supply process from
purchasing bulk electricity from the National Grid to supplying it to a
consumer, through to billing and receiving payments.

As Information Technology is the enabler of all sectors in our
society, not just the power sector, the better the IT infrastructure in
place and the more computer literate our society becomes, the more
efficient all other sectors can become, certainly in my view.

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