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The United State’s mission in Nigeria has partnered with the
Abuja Film Village International to present the American Documentary Showcase
in three cities in Nigeria in the first week of August.

The event featured 11 documentaries by American filmmakers and
took place in Kano on August 2 and 3; Abuja on August 4 and Lagos on August 5
and 6. In Abuja, the film village had put a plan in place to hold master
classes for Nigerian film professionals.

The classes were led by two of US filmmakers, Kim Snyder and
Burt Weiss. Snyder’s documentary was one of those screened during the festival.
Weiss came with a view to discovering Nigerian documentaries that can be shown
in the United States at a film festival in Dallas, Texas, later this month.

Speaking at a press conference in the film village ahead of the
showcase, Victoria Sloan, cultural affairs officer for the U.S. Embassy in
Abuja, said that the documentaries would show Nigerians a different side of the
American public.

“Documentary films are an excellent – a most excellent way – for
countries to get to know one another,” she said. “They don’t have the kind of
messages that you see in the blockbuster films. They often are more
thought-provoking, perhaps more disturbing, maybe more inspiring because they
are based on real life.”

Segun Oyekunle, managing-director and chief operating officer of
the Abuja Film Village, said he hoped the event would help raise the standards
for Nollywood movies. He noted that while Nigeria was the second most prolific
producers of movies – behind India’s Bollywood – its profits and revenues were
near the bottom.

“It is because the quality the length and the script is so
poor,” he said. “Film documentaries help raise consciousness and inspire
people.”

However, some at the conference were wary of the organisers’
intentions, wondering if the event was an attempt at laundering America’s image
abroad.

Sloan was quick to reassure that the venture was not a
propaganda or profit-making scheme.

“The thing about selling the American idea is that you don’t
have to buy it,” she said. “You can’t make a mind accept an idea that it
doesn’t want to accept.”

She said showings in each city would be free and open to the
public and that people were free to form their own opinions on each film shown.

Challenges for the venue

Other concerns centred on the Abuja Film Village’s continued
lack of a permanent site. According to its brochure, the village was slated to
be a destination for artists around Nigeria and the world who wanted to improve
their art. The village was to feature soundstages, viewing rooms, practical
workshops and classes. However, it is currently situated in a two-storey
building in Maitama, Abuja.

Mr. Oyekunle assured reporters that the site’s challenges were
“mostly administrative” and that site’s concept design had already been
completed. He said that the project had garnered the support of the Minister of
Information and that money had been optioned from the National Assembly.

“What is holding us is infrastructure,” he said. “We will not go
forward unless we have the infrastructure in place, otherwise we’ll end up like
a lot of satellite towns with structures but no infrastructure.”

However, Oyekunle said he could not give any concrete details
about upcoming plans as he did not have the numbers at hand and he did not want
to be misinterpreted.

Defending the partnership with the village, Ms. Sloan said the
site had a track record for holding successful master classes. It had
facilities that could accommodate up to 40 people, though the public showings
in Abuja would take place at the Cyprian Ekwensi Centre, which can hold up to
500 people.

“There may be other locations where we could do this but, this
has the background in filmmaking that we need,” said filmmaker Sani Balewa, who
attended the conference. “This is opening up a discussion between professionals
and a lot can come out of it.”

Mr. Oyekunle expressed his hope that the event would pave the way
for future cinematic collaborations between the United States and Nigeria. He
looked forward to more master classes and more foreign speakers.

“No film industry can live in isolation,” he said. “These are the things we
want to do to help the Nigerian film industry. You can’t quantify the value it
will add, but eventually it will show up in the kinds of films that will be
made.”