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Stock Exchange records mixed trading performances

Stock Exchange records mixed trading performances

Performances on the
floor of the Nigerian Stock Exchange (NSE) during the week were mixed,
as the NSE All-Share Index (ASI) had three bullish days and two days
bow to the bear’s call. The bull(s) return during the previous week was
strong and boosted investors’ portfolio to appreciable profit levels.
This in-turn led to short profit taking activities, which saw the
market down between the third and fourth trading day of the week.

In all, NSE ASI
wrapped up the week slightly above the opening point by 3.17% or 721.81
points to close at 23,772.40 points, from 23,050.59. Market
capitalization closed at N5.825 trillion.

Four of the five
sectoral indicators closed the week above their various opening
figures. NSE-Food/Beverages were up by 17.28 points or 2.43% and close
with 735.30. NSE-Banking appreciated by 17.35 points or 5.2%,
NSE-Insurance headed north by 13.63 points or 9.3% at 154.87.

NSE 30 gained 30.54 points or 3.19% to close at 1,007.34, while NSE-Oil/Gas dipped by 4.96 points or 1.51% to close at 154.87.

Activities review

The stock market
recorded a turnover of 2.05 billion shares valued at N18 billion. The
said volume was moved in 28,785 transactions. The banking sector top
volume performance with 1.15 billion shares that were boosted by volume
on the shares of Diamond Bank, Access Bank, Guaranty Trust Bank, First
Bank of Nigeria Plc, and First City Monument Bank Plc. The insurance
subsector followed on the performance chart with 372.43 million shares
traded in 971 transactions.

The 47 stocks that
appreciated traded a total of1.277 billion shares, same as 62.33% of
market volume, 31 equities dipped and they moved 325.58 million units
of shares that accounted for 16% of total volume traded on all equities
through the week. Meanwhile, 123 companies ended the week’s
transactions on a flat note; volume traded by those stocks is
equivalent to 21.78% of the total market volume.

Technical view

R-squared, a
measure of portfolio performance, is currently at an extreme low. This
indicates that there is no strong trend in-tact. This value should
increase soon. When it does, there is likely to be a new short term
trend. The current slope of the close is positive, moving higher,
indicating strength of the medium term uptrend.

The standard error
is 565.237; at this level, there is much higher than normal volatility
around the current trend and traders are probably not in general
agreement, not allowing the indicator to trend easily. The price is
probably not following the regression slope well.

Report on the OTC market for FGN Bonds

A total turnover of
248.9 million units valued at N243.41 billion in 1,940 deals was
transacted last week, in contrast to a total of 332.8 million units
worth N317.95 billion exchanged in 2,864 deals during the week ended
Wednesday, September 29, 2010.

The most active
bond (measured by turnover volume) was the 10.00% FGN July 2030 series,
with a traded volume of 44.9 million units valued at N37.78 billion in
383 deals. This was immediately followed by 10.5% FGN May 2012 series,
with a traded volume of 43.3 million units valued at N46.65 billion in
388 deals.

Seventeen (17) of
the available thirty-six (36) FGN Bonds were traded last week, compared
with eleven (11) recorded a fortnight ago.

Corporate actions reported in the week ended

In the week under
review, the market witnessed avalanche of reported audited results for
belated period ended December 31, 2010. Few were for the periods ended
March 31, 2010 (Neimeth Int’l Plc & Chellarams Plc) and July 31,
2010 (Ellah Lakes Plc).

These results were
released in an effort to beat Nigerian Stock Exchange (NSE) hammer on
quoted companies that are yet to report their audited results for
period ended December 31, 2009. Analysis of few of the results is shown
below, while lead operations figures are reflected in the table below.

NIEMETH INT’L PLC

Neimeth Int’l Plc,
a healthcare company with specialty in production and marketing of
pharmaceutical products released its Q4 results for FY ended March 31,
2010.

Close observation
and computations of figures revealed that the company remained in the
wood. Gross revenue (TO) only managed a fractional growth of 1.2% at
N1.89 billion, against N1.87 billion in comparable period 2009.

On the profit line,
all other indicators returned negative figures. Both PBT and PAT
declined by 71% and 72.3% respectively. This resulted to negative
earnings, meaning the company will recourse to its reserve to finance
its major activities in the current fiscal year (2010/2011). Figures
computed at this instance were: loss per share (LPS) 7 kobo, loss
(profit) margin of 6.67%.

Shareholders’ equity equally lost 11.3% from N1.072 billion, in a similar period 2009.

Observation: This is a poor corporate performance. It has been consolidated for the second time in a row.

Dividend payment will not be considered here. We do not expect price appreciation on this stock in meantime.

STACO INSURANCE PLC

Indemnity covering
company, Staco Insurance Plc, joined league of companies that made
their corporate files available in the market last week. Though this
belated Q4 report saw manageable growth at the top line, it turned
mixed and docile at the bottom line. Turnover recorded improved growth
of 15.6% at N5.06 billion over N4.38 billion posted in similar period
2008.

Profitability
indexes returned lower figures, compared to 2008. PBT dipped by 13.6%
at N538.41 million, so was PAT with 20.1% dip over N546.42 million in
2008. As the bottom lines dipped, computed earnings ratios equally
reflected lower figures. EPS lost 25% of its 10 kobo in FY 2008 at FY
2009’s 8 kobo. This resulted to earning yield of 16%.

PE multiple of 6.25 appears attractive. Return on stakeholder equity (ROE) is 9% while profit margin stood at 8.6%.

Observation:
Performances wise, bottom lines fared poor against FY 2008 figures.
Recall that in FY 2008, the company paid 2 kobo and 1 for 10 bonus
incentive. If at all anything will be paid here, it will be cash
dividend. But the directors have not disclosed anything yet.

The stock looks attractive at its current price, only that the insurance industry remains a skeptic zone for now.

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Africa currency management improves

Africa currency management improves

African states
rebounding from the global downturn are far better placed than in the
past to ensure currencies do not become overvalued and damage
competitiveness, a top World Bank official said on Saturday.

World Bank managing
director, Ngozi Okonjo-Iweala, said, however, that rising capital
inflows could become a concern as African countries attract more money
from short-term investors seeking higher returns.

Global currency
tensions are at the center of discussions at meetings of the
International Monetary Fund and World Bank in Washington this weekend.

“The continent has
implemented remarkably sensible policies. Fiscally, they’ve been
responsible. Exchange rate management has been reasonable. People have
learned the lessons of overvaluation in the past,” Okonjo-Iweala told
Reuters.

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Egypt inflation rises by 11 percent

Egypt inflation rises by 11 percent

Urban consumer
inflation in Egypt inched up to 11.0 percent in the 12 months to
September, from 10.9 percent in the year to August, the state-run
CAPMAS statistics agency said on its website on Sunday.

Nine analysts
forecast an average of 11.12 percent for urban inflation – the most
closely watched indicator of prices. Forecasts ranged from 9.6 percent
to 12.9 percent.

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Increased dollar buying weakens the Kenya shilling

Increased dollar buying weakens the Kenya shilling

A rising Kenyan
import bill is an important factor behind increased central bank dollar
buying and there is no intention to intervene to influence the value of
the shilling, the head of the central bank said on Saturday.

Foreign exchange
dealers have grumbled that fundamentals dictate the shilling should be
stronger, but that central bank purchases of foreign currency have
capped its gains.

“Dollar purchases
are to protect reserves and to build up reserves, not just for fun,”
central bank governor, Njuguna Ndung’u told Reuters on the sidelines of
the International Monetary Fund and World Bank meetings in Washington.

“Our import bills have risen significantly to slightly over $1
billion a month, so it means that keeping four months of import cover
means being in the neighbourhood of $4 billion,” Mr. Ndung’u said.

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Ibru’s assets to recapitalise Oceanic Bank, says CBN

Ibru’s assets to recapitalise Oceanic Bank, says CBN

The
assets recovered from Cecilia Ibru, the former chief executive officer
of Oceanic Bank, one of the banks found insolvent after the Central
Bank’s special audit last year, would help in refunding the bailout
funds injected into the bank by the CBN and help recapitalise the bank,
the Central Bank said at the weekend.

Mrs.
Ibru was last Friday convicted and sentenced to six months imprisonment
on a three-count charge of negligence, reckless grants of facilities
running into billions of dollars, and mismanagement of depository funds
by a Federal High Court sitting in Lagos. She is also to forfeit assets
and shares, contained in a schedule submitted to the court, worth N191
billion.

The
head, corporate affairs department of the bank, Mohammed Abdullahi,
also said the Asset Management Company would help manage the recovered
assets.

“As
you know, by the order of the court, the assets confiscated from Mrs.
Ibru will be transfered to and managed by the Asset Management
Corporation (AMCON) who will take the necessary steps,” Mr. Abdullahi
said.

“The
role of the AMCON is to assist in the recapitalication of the banks by
absorbing some of the toxic assets found to have been responsible for
the problems faced by the banks we had to intervene in,” he added.

Mr.
Abdullahi said the decision of the court regarding the transfer of the
assets to AMCON is clear. He said proceeds from whatever assets AMCON
would get “will now form part of the funds that are expected to be
refunded by the bank to the Central Bank, speaking specifically on the
N100 billion that was injected into the bank by the Central Bank last
year. We also believe that the assets should also assist in the
recapitalisation of the bank, to survive its present challenges.”

According
to him, the Central Bank is pleased with the decision of the court and
believes it is a vindication of the examination results of the special
audit carried out by the Central Bank and the Nigeria Deposit Insurance
Corporation (NDIC).

“We
are very happy that this decision has taken place, and it is a pointer
regarding what to expect as the determination of the Central Bank to
cleanse the banking sector and ensure that corrupt practices are not
only prevented from happening, but that those found responsible are
made to face the law, rather than walk away freely with their loot,” he
said.

Outstanding court cases

The
Central Bank’s spokesperson said the outstanding court cases are being
vigorously pursued by the EFCC, and a prosecution team has been set up
to handle the cases.

“Based
on the fact that the same examination conducted by the NDIC and the CBN
found similar infractions against those that are still in court, we are
hoping that the cases would take their due course and at the end of the
day, all the other MDs would face the music in the same way that Mrs.
Ibru is facing hers now, if they are found guilty,” he said.

Significance of the ruling

The
Central Bank said the significance of this decision on the ongoing
banking reforms is the vindication of the Central Bank and the NDIC.

“In
the process of these reforms, the Central Bank and its leadership have
been accused of regional, religious and even personal agenda, as
reasons for embarking on these reforms. This ruling has, therefore,
made a lie of all the allegations.

“I
also believe that it has given an impetus to the dedication of the
leadership of the Central Bank to ensure that depositors funds are
protected and all those who dipped their hands into funds given to them
on trust would never get away, but would face the music, no matter
their position in the society,” Mr. Abdullahi said.

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LG offers 300 youth skill training

LG offers 300 youth skill training

Port Harcourt City
local government area of Rivers State has trained more than 300 youth
in different skills, the chairman, Azubuike Nmerukini, said.

Mr. Nmerukini said
at the weekend that the youth received training for more than six
months in welding, carpentry, hairdressing, Information Communication
Technology, fashion, and design.

He said the council
would give the trainees take-off grants, adding that work on the
council’s skill acquisition centre had reached an advanced stage and
would be used to train future trainees.

“The aim is to make
them self-reliant or employed and thereafter train others from their
communities to be self-employed. The local government thought it wise
that in any society, everybody must not be a pen pusher and as such, we
set up skill acquisition programmes,” he said.

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Post offices process 483bn letters annually – UPU

Post offices process 483bn letters annually – UPU

The director
general of Universal Postal Union (UPU), Edward Dayan, said that post
offices worldwide process more than 483 billion letters annually.

Mr. Dayan said in a
message on the World Post Day celebration on Saturday that while posts
processed 483 billion letters, mail volumes had continued to decline as
a result of electronic substitution and the recent financial crisis.

“And though
physical mail will not be disappearing overnight any time soon, despite
this down trend, posts are looking to the future by diversifying
products and services. Thanks to e-commerce, parcel volumes are taking
off. Posts in many countries are seeing annual growth rates of 20
percent in parcel volumes due to online sales,” he said.

He urged that the
post should be remembered for the relevant and valuable role it played
in the lives of billions of people and businesses, not only as a means
of communication, but also as a driver of economic growth.

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Frankly Speaking

Frankly Speaking

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ON THE WATCH

ON THE WATCH

Stephen Davis

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On-the-ground spiritual game

On-the-ground spiritual game

If Fela
Anikulapo-Kuti (Fela) was still alive and healthy, he would be looking
forward to being 72 years old on 15 October, 2010. Hardly the age one
associates with mavericks defiantly dishing out double-fisted
‘black-power’ salutes, decked out with war paint, amulets and charms
strapped to a tight body displaying 6-pack abs most men would die for.
So today he would be greyer or even geriatric maybe, yet I suspect he
would still have been able to sweep on stage and pull-off a power-pose
with purpose, menace and sex-appeal. And the masses would roar, and his
music would still be giving me goose bumps.

Just listen to the
opening stanzas of his songs ‘Water No Get Enemy’ or ‘Otoriti
Stealing’; the mind-blowing horn arrangements in ‘Yellow Fever’,
‘Beasts of No Nation’, ‘Teacher Don’t Teach Me Nonsense’; and the
orchestration in ‘Overtake Don Overtake Overtake’. Add to that
signature introductory first layer of sound a rumbling seemingly
primordial drum beat delivered in a merciless pulsating rhythm, and
then percussions, from the shrill shekere and kpangolo traditional
instruments to the deep conga drums. Pure Genius.

On Fela

I cannot claim to
have known the man personally, and despite his giving me the most
memorable display of the relationship between a father and daughter,
Fela did not know me at all. He was oblivious of my many visits to his
night club the ‘Africa Shrine’. Thankfully, so was my boarding school
principal. And come to think of it, my parents who had delivered me
safely into boarding school did not know of my nocturnal adventures
either, but I digress.

At that memorable
first and only meeting 33 years ago with Fela at a concert in Tafawa
Balewa Square Lagos, one of his daughters who happened to be dating a
friend of mine sneaked us backstage to introduce us to her father.
“Fela, this na my bobo and him friend”. Fela looked my friend over and
then spoke around the inevitable stick of marijuana hanging
precariously from his lower lip. “So na you dey do my pikin, ehn?”

As a comment made
by a father in the presence of his daughter and two young strangers, it
was just too good, beyond translation or rephrasing. In its original
delivery format faithfully reproduced here, it remains deliciously
memorable. Some moments are frozen in time and this was certainly a
classic one.

I want to point out
quickly that Fela was not my role model so I never aspired to his
lifestyle, yet to me he was the ultimate icon. The man was undoubtedly
a musical genius, an inspiration for my part-time musical ambitions and
most certainly the chief proponent of Afrobeat, the music genre he is
credited with pioneering or popularising, depending who you ask.

On “Afrobeat”

According to Albert
Oikelome in his piece “Stylistic Analysis of Afrobeat Music of Fela
Anikulapo Kuti” – “In musical terms, Afrobeat clearly draws upon jazz,
blues, soul, funk, afro latin, highlife and folksong elements and
grafts them all into a West African rhythmic template.”

Also quoting
acclaimed photo journalist Tam Fiofori “… It is safe, sensible, and
factually logical to state that Afrobeat and its various flavours were
created by Nigerian musicians who were interested in expanding the
tonal and rhythmic frontiers of Nigerian highlife music… It is from
this distinct and unique Nigerian highlife flavour that the various
inflections of Afrobeat evolved through assimilation, experimentation,
cross-fertilisation, and individual musical innovation….”

I imagine in
reading these definitions, Fela in his typical continuous switch from
pidgin to Queen’s English would probably have retorted, “Which kind big
big grammar una want take confuse people?? Afrobeat is for the body and
mind, an On-the-ground spiritual game”

So for me, and I
wager that for others too, Fela’s Afrobeat with its signature call and
response pattern in both the music and the lyrics will always stir deep
emotions and feelings of the foot-tapping, head bobbing; chin holding
and occasional deep sighing variety, as we sway to the beat and ponder
what our beloved Nigeria might have been if we had listened more
carefully to his ingenious stories in song.

With Fela, Afrobeat
achieved international recognition and political purpose, evolving
alongside a Nigeria losing its innocence to civil war, military
dictatorship and rapacious corruption. Afrobeat became synonymous with
non-conformism and disaffection.

The youth,
especially the poor and disadvantaged, were drawn to it like bees to
pollen, even as parents squirmed and clucked their tongues in
disapproval of its proponent’s lifestyle.

I was fortunate
enough to be present at Fela’s club the Afrika Shrine on the night that
the ‘Overtake don Overtake’ was performed for the first time. A very
strange thing started to happen when the song got to the point of
describing the struggle of an ordinary civil servant trying
unsuccessfully to buy a fan to reduce the discomfort of sleeping in the
oppressive Lagos heat (“My friend wan come buy fan, him dey sweat where
him dey sleep for room”). I heard a restrained sob escape from the man
standing next to me, and when I looked around, realised that several
grown men in the audience where weeping quietly as they swayed to the
music! With this song, Fela was stripping bare the truth about their
lives in grim and excruciating detail – an overwhelming revelation of
their day to day non-existence (“Na now him come understand him life,
enjoyment can never come him way, na now him life dey go reverse, in
Africa him fatherland”). Later it occurred to me that the expatriates
in the audience that day must have thought these men had smoked a
particularly potent strain of marijuana and were literally “stoned to
tears”! To this day, the memory of that surreal night still makes me
break out in goose bumps. Such is the power of his music.

On Fela the Rebel

After Fela
metamorphosed from as he put it “a young guy enjoying himself around
town” to a powerful and fearsome social critic, he became widely viewed
as a “Rebel”.

I have questioned
this categorization of the man, and believe that his goal was promoting
genuine social reformation. He was not always coherent, especially in
his interviews, but once the music started you could always see an
immediate transformation in which he not only created but also directed
the merging of a thousand seemingly discordant notes into a harmonious
whole as a backdrop to the powerful story telling which he referred to
as “the on-the-ground spiritual game”. Raw, irreverent, and deeply
moving.

So for me, it has
and will always be about the music, this gift he had of storytelling
using the powerful Afrobeat platform. Perhaps some inspiration came
from the ganja he “rebelliously” and habitually smoked, but above all,
Fela was simply a unique being in which various elements came together
over a period of time to produce the equally notorious and revered
legend we know.

It was probably
this powerful effect he had over the masses through his music that led
Fela to think he could actually rule Nigeria as president. I watched in
astonishment as he attempted to register a political party and run for
elections, and even more ridiculous was the Government’s viewing of it
as a real threat, enough so as to actually employ time and energy in
frustrating his efforts!

On the live performances

For all his
anti-convention reputation, Fela ran his clubs with good old-fashioned
authoritarianism supported by corporal punishment. Other than
marijuana, his own personal narcotic of choice, it was apparently
forbidden to deal any other drug at the venues. Discipline was harsh,
meted swiftly and liberally. Patrons at Afrika Shrine apparently felt
more at risk from the ever possible police drug squad raid than from a
crime committed at the club.

Clad in adire-print
trousers, hand-made shoes from matching fabric and very often
bare-chested, Fela moved about on-stage, cigarette betwixt fingers, in
a casual, smooth (almost languid) stroll. Off-stage he existed mostly
in underpants. It was hard not to pay attention to him in a room full
of people. A late night performance at the Shrine was as much
showmanship as it was theatre, a musical concert and a “gaddem
on-the-ground spiritual game’!

Patrons showed-up
for yabbis i.e. irreverent commentary by Fela interspersed between
the songs about the inanities of Nigerian and African society. Fela
himself sang about his irreverent unstoppable mouth in the song Beasts
of No Nation “…basket mouth don start to leak again o..oo, basket mouth
don open up again o..oo!

Make I yab dem?
Fela would tease; Fela yab demmmm… the anticipating audience would roar
back, eager for a laugh at someone else’s expense. Contempt for the
affectations and pretentiousness of the ruling elite was dished-out in
equal measure with thorough verbal roastings of the ‘masses’ that
condoned these rulers in the first place.

A visit to Lagos
without a pit stop at Fela’s club was a less than fulfilling experience
for savvy foreigners, especially Europeans, who paid good money to
endure humorous but stinging jibes from a social critic conscious
always, about the legacy of colonialism and oppression.

For all of his
brilliance as a composer, arranger, keyboardist and saxophonist, it was
his prowess as a bandleader that held everything together. Supported by
a coterie of brilliant individualists like Igo Chico on tenor saxophone
and the peerless Tony Allen on drums; catchy and easily understood
lyrics largely in pidgin English flavoured by syncopated rhythms and an
awe inspiring horn section, were echoed and chorused by the female
singer-dancers whose shrill voices struck me as a throwback to the
witches in Shakespeare’s “Macbeth”. Intense, raw and uncut.

No matter where he
was playing live, Fela was value-for-money. Whether performing with his
entire ensemble at the Shrine or at the Tafawa Balewa Square (TBS) in
Lagos or just gigging impromptu with Tunde & the late Fran Kuboye
at the Museum Kitchen and later at Jazz 38 on Awolowo Road Ikoyi, he
effortlessly delivered a satisfying performance which friends and I
would talk about till the next show.

Even his habitual
lateness in arriving at his live performances did nothing to dampen the
anticipation of the crowd and the joyful roar that always greeted his
double fisted black power salute as he strode onto the stage, sometimes
six hours late!

Last thoughts

Yes, I didn’t know
the man personally but almost every time I watched him live, I saw the
visceral impact his music had on his audience, me included. He had the
ability to talk directly to each person in the audience. I now have an
extensive collection of his music as one of my most prized possessions,
and even to this moment, continue to discover new things about the man
through his music. Where did he get the opening stanza of ‘Water No Get
Enemy’?? What was he thinking? Why is this assembly of notes still one
of the most recognisable musical phrases in Nigeria, across gender and
tribe? Why would a light skinned woman be described as “Yellow Fever”?
I get the “Yellow” but the “Fever” beats me. Was she hot to the touch
or just hot to look at??

There are many more
such questions waiting when I head into blissful retirement with Fela’s
music, and it will be a joy to ponder on them and perhaps find answers,
if only in my head.

Epilogue

I have heard other
Afrobeat bands and artists keeping the music alive, listened to sampled
versions of his music by young international artists, and even seen the
Broadway show “Fela!” that is now making waves on the global
entertainment circuit and introducing the Fela phenomenon to new
audiences worldwide. This is AWESOME. The Emperor sleeps and the people
ponder and talk amongst themselves!

More respect, Abami Eda (The strange being), more respect to you as you rest. I am still getting those goose bumps.

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