Archive for nigeriang

IMHOTEP: The perils of writing

IMHOTEP: The perils of writing

In the Nigeria of our day, writing is synonymous with loss of gravitas.

To be identified as
someone who ‘makes noise on the pages ofnewspapers’, is the surest road
to Siberia. Power and media currency are, are, to all intents and
purposes, diametrical opposites. Why then do I write?

I first encountered
my demons as a fourteen year-old at the British Council Library in
Kaduna. During the long summer holidays, with nothing better to do, I
spent all my days reading everything I could lay my hands on – history,
literature, science, philosophy. I stumbled upon Bertrand Russell in a
feat of absentmindedness. Russell wrote such beautiful and witty prose.
Although his childhood was as lonely as mine, I was not born an Earl
and did not grow up in a palace in Richmond. And my grandfather was not
prime minister. I was born in a humble evangelical village parsonage in
the ancient central savannah of Nigeria; a place more beautiful than
the Swiss Alps.

For as long as I can remember, I have always wanted to write with the wit and lucidity of Lord Russell.

I also look back
with nostalgia to an earlier chivalrous tradition that was founded on
robust intellectual culture. The Founding Fathers of the Nigerian
Republic — Azikiwe, Awolowo and Balewa — were excellent writers. It
is only in an ignominious age like ours that people would deign to look
askance at anybody who takes up the pen.

It was the mystic
Carlos Fuentes ho noted that writing is a ‘struggle against silence’.
In our own case, it is the silence borne of decades of military
tyranny. As a consequence, we have lost the civic culture, which has
inspired our greatest patriots.

Many people write
to promote sectional agendas. Others write because someone has paid
them handsomely. I write because I believe in Nigeria and her manifest
destiny; because of my faith in the unconquerable power of the human
spirit — in the ultimate triumph of Good over Evil. Some have accused
me of writing to curry favour with the powers that be. One or two have
already declared me to be the prospective envoy at the Court of St.
James where I would presumably idle my days in small talk and
champagne. Never have a man’s ambitions been more under-estimated.

It was Elbert
Hubbard who observed that, in order to avoid being criticised, you
would have to “do nothing, say nothing, be nothing”. When I wrote about
gays and the Church, I was accused of being homophobic. One or two
critics have advised me to avoid writing about politics, which I know
nothing about. One regretted that my writing no longer made him cry, as
it did when I wrote on child abuse. I must therefore, I suppose,
restrict myself to subjects likely to exert the most lachrymose impact.
I once made the mistake of mentioning our five German shepherds. It set
off a bedlam of howls. Nobody will ever know that those dogs protected
me from the real and present danger of assassins; and of course, God
Almighty, and the late President Yar’Adua, who called the people
concerned to order.

Criticism is a form
of recognition. But even criticism has limits. Some have compared me to
Reuben Abati of The Guardian; others say I am ‘the new Dele Momodu’. I
would rather I was compared with Obadiah Mailafia.

Echoing the
Scottish philosopher David Hume, I would say that the invention of the
Internet marks the real end of chivalry, as we have always known it.
The Nigerian Internet crowd is a rather illiberal horde. Most of them
live abroad and have lost touch with realities back home. Most are in
all sorts of primordial cocoons — Biafra, Arewa or Oduduwa. Hiding
under bizarre pseudonyms, they have succumbed to the Western-inspired
nonsense about our being a ‘failed state’. When I got tired of the
haranguing, I decided to throw in one lone Latin expletive – just to
test the waters. Pandemonium! “We told you this fellow is not what he
claims, beneath the gentility”; “We must never vote him!” On and on
they went.

What some of these
people lack is a bit of irony. When I wrote about Cecilia Ibru, I never
for once absolved her of any crime. What she did was horrendous, and
all the more tragic, considering how hard she had worked to build up
Oceanic and how so many looked up to her as a model. Even if she we
were my mother I would never excuse her crimes. Someone even asked if I
had collected money from her.

Reminds me of the
story of the woman who was caught in adultery. As the Jews set off to
stone her to death according to the Laws of Moses, Jesus asked that
those who had never committed adultery be the first to do so. He was
not denying her sin. All have sinned and have come short of the glory.
We are human and fallible. What matters is to learn from our mistakes
and to move on.

“Woman, where are your accusers?”

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Britain’s new focus

Britain’s new focus

This week Britain’s
coalition government announced its spending plans for the next four
years. We are taking urgent steps to reduce the national debt and deal
with the fiscal legacy we inherited. We have shown that we have the
resolve and determination to live within our means. And we have set out
to reinvigorate Britain’s diplomatic engagement with the world,
elevating our links with the fastest growing economies and championing
Britain as a home for business and investment. We understand that
economic recovery starts at home, but that we have to look beyond our
shores for new opportunities and new partners.

The scale of the
economic challenge is formidable. We inherited one of the largest
budget deficits in Europe and the G20. But we have a clear vision for
the future of our country. We have chosen to spend on the country’s
most important priorities – the health care of our people, the
education of our young, our nation’s security and the infrastructure
that supports our economic growth.

We are building a
fairer and more responsible society, with more opportunity for people
to lift themselves out of poverty, and with state support focused on
those who need it most. We are reforming public services – improving
transparency and accountability, giving more power and responsibility
to citizens and enabling sustainable long term improvements in
services. And we are building a stronger economy, with more jobs,
investment and growth for a private sector-led recovery.

We have protected
as far as possible those areas of public spending which matter for
economic growth and pursued reforms to make these more cost-effective.

We know that we
cannot have sustainable growth in the economy without healthy public
finances. We have created a new independent Office for Budgetary
Responsibility, so that the power to determine the growth and fiscal
forecasts now resides with an independent body immune to the
temptations of the political cycle. And we have pledged to eliminate
the UK’s structural deficit by the end of this Parliament, which has
been welcomed by the International Monetary Fund as a necessary path to
ensuring fiscal sustainability and a balanced recovery.

Our Spending Review
is part of an ambitious plan to create a business environment that is
one of the most competitive anywhere in the world. We understand that
the British economy of the future must be one that is built on
investment, saving and exports, and are determined to use our tough
plans for fiscal consolidation as a springboard for growth and recovery
through the private sector.

From 2011 we will
gradually reduce corporation tax to 24 per cent, giving Britain the
lowest in the G7 and one of the lowest in the G20. We will reduce the
small profits rate of corporation tax to 20 per cent. We will lower
capital gains tax for entrepreneurs.

And we will cut
National Insurance contributions for employers, extend help to small
businesses needing to access credit, and make Britain the easiest place
in the world to start a business.

But let us not
forget that throughout the recession the UK has remained the sixth
largest economy in the world. We have one of the most flexible labour
markets in Europe and, according to the Organisation for Economic
Co-operation and Development, the least number of barriers to
entrepreneurship in the world. Our unrivalled financial services
industry, our strong skills base, our global outlook and orientation,
our creative talents, our world class universities and our central
position etween Asian and American time zones all demonstrate that we
have an open economy and we are open for business.

So we have a strong
base on which to build. With that in mind, we want to inject a new
commercial focus into our relationship here in Nigeria.

We are aware our
two countries already enjoy an important trade relationship. Trade
between the UK and Nigeria increased by 67% from the year 2007 to the
year 2009, and in the last year alone, UK goods and services exports
reached the value of £2.3 billion indicating that Nigeria is a key
destination for British firms keen to invest in Africa.

The UK is one of
the largest investors in Nigeria, in sectors from oil and gas to
financial services, to agriculture. As His Royal Highness The Duke of
Gloucester stated during his recent visit to mark the 50th anniversary
of Nigeria as an independent nation, Nigeria is and will continue to be
a key international partner for the UK. So we are confident that we are
taking the right steps at home and abroad to help economic recovery in
our own countries, and to contribute to a stable and prosperous global
economy.

William Hague MP, is United Kingdom First Secretary of State, Secretary of State for Foreign and Commonwealth Affairs

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Untitled

Untitled

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DEEPENING DEMOCRACY: Fayemi’s Victory

DEEPENING DEMOCRACY: Fayemi’s Victory

In the build up to
the 2003 elections, there was a consensus in civil society that we were
wrong to have taken the decision not to participate in partisan
politics in the 1998-1999 transition. The interminable transitions
without end orchestrated by the Babangida and Abacha administrations
between 1986 and 1997 had pushed us into the conclusion that we must
defeat the military before we can talk about democratic transition.
Then Abdulsalam Abubakar came into power and the transition did occur,
but without us.

In our subsequent
analysis, we felt that the very low quality of both executive and
legislative branches was partly due to the absence of those who had
fought so hard for democracy. We prepared the grounds for the
transition to democracy through our combative struggle against military
rule and for human rights and when the transition moment arrived we sat
on the sidelines while “professional” politicians, most of who did not
fight for democracy took over power In the run up to the 2003
elections, there were extensive discussions within civil society that
as many as are willing should join political parties and compete for
power. Over twenty major civil society activists sought nomination from
different political parties. Some went to the big parties and never got
nominations which were sold to the richest aspirants. Others joined
progressive small parties such as the Gani Fawenhinmi’s NCP and the PRP
and were rigged out in the elections.

Four of our
colleagues however made it to the National Assembly. Dr Usman Bugaje of
the Network for Justice and Abdul Oroh of the Civil Liberties
Organisation became PDP members of the House of Representatives while
Dr. Haruna Yerima and Uche Anyeaghacha also joined the House on the
platform of the ANPP and APGA respectively. They fought Obasanjo’s
“Third Term” agenda and succeeded in stopping him from ruling us
forever. Obasanjo for his own part took revenge and succeeded in
stopping them from returning to power.

In November 2005,
Kayode Fayemi came to meet me to discuss his intention to join the
political fray by seeking the gubernatorial contest in Ekiti State. I
drew his attention to the risks as Obasanjo was unlikely to tolerate
his progressive views in the PDP and the other parties might be rigged
out. His response was that if we do not engage in the battle to regain
the franchise, our struggle for democracy would remain superficial. I
agreed and wished him well in the struggle. In response, he requested
that I resign from Global Rights where I was country director and take
up the leadership of the Centre for Democracy and Development where he
then was. I accepted and took up the challenge of keeping up the task
of deepening democracy on the civil society front.

Today, Centre for
Democracy and Development applauds the unanimous judgment by the Court
of Appeal that our founding director, Dr Kayode Fayemi, indeed scored
105,631 votes as against Segun Oni’s 95,176 in the April 2007
governorship election and won that election three and half years ago.
The Court of Appeal also ruled that he was the winner of the April 2009
supplementary election involving some wards in the state.

The judges have
become heroes in Nigeria’s democracy building marathon by finally
allowing the truth and the mandate of the people of Ekiti State to
triumph. The judges have also made it clear that certain officials of
the Independent National Electoral Commission of that time were the
perpetrators of the electoral crimes that kept Fayemi away from his
mandate for three and half years.

We recall that
after the April 2009 re-run elections, Mrs. Ayoka Adebayo, the then
Ekiti Resident Electoral Commissioner had initially rejected that fake
results Ido-Osi stating that her conscience as a Christian would not
allow her falsify the truth. She was immediately declared a wanted
person by the Inspector General of Police, dragged out and marched to
the office of the then Chairman of the Electoral Commission, Maurice
Iwu. Thereafter, she recanted and announced the false results knowing
full well that she was depriving the people of Ekiti the governor they
had elected twice.

Now that INEC has a
new credible leadership, we call on their Chairman, Professor Attahiru
Jega to immediately set in process the prosecution of Ayoka Adebayo,
Maurice Iwu, former imposter Governor Segun Oni and the then Inspector
General of Police for the electoral offenses they committed. As long as
there are no sanctions for electoral crimes, people will continue to
commit them.

We congratulate our
founding Director, Kayode Fayemi for his dogged determination over the
past 42 months to recover the stolen mandate of the people through the
judicial process and wish him the best in implementing his 8-Point
Agenda aimed at deepening democracy and promoting people-centered
development in Ekiti State.

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Rebuilding trust at Oceanic

Rebuilding trust at Oceanic

In a recent op-ed
piece in the Financial Times (‘Casino gibes do our banks no justice’),
John Varley, outgoing group chief executive of British Barclays,
describes the ‘core of banking as money transmission, safe storage of
deposits, maturity transformation, provision of investment advice,
trading and market making.’

If these vital
economic services are what banks provide, they, in turn, depend on the
public trust as the foundation of their existence. In fact, ‘credit’,
the elementary function of financial intermediaries, takes its root
from the Latin word ‘credere’, which means ‘to trust.’ Each time banks
and bankers have gone against this social contract, the consequences
have been dire.

While regulators
from Basel to Washington debate new rules on capital adequacy and
liquidity, it is easy to forget that the mere adoption of stricter risk
management rules cannot by itself rebuild confidence. Today, the
greatest challenge faced by the financial sector lies in addressing the
dissonance in values between what the public expects banks and bankers
to stand for and what some of them have, regrettably, come to
represent. One year after the Central Bank of Nigeria launched its
ethical crusade to bring bankers back in line with the traditional
values of the profession, it is timely to examine if institutions that
abide by those ethos perform better than those that do not. If indeed
they do, then there is a self-standing business case for doing the
right thing by shareholders and customers.

The October 8
ruling by Justice Dan Abutu of the Federal High Court condemning
Cecilia Ibru, the former chief executive officer of Oceanic Bank, to
six months in prison and compelling her to return assets valued at over
$1.2 billion indicates a sea change in the way flagrant abuses of trust
are treated.

Understandably,
many commentators have focused attention on the scale of recovery from
a single individual and the moral dimension of unethical wealth
accumulation. Far less coverage has been given to its import for
Oceanic Bank and the burden of trust, which banks must carry.

When the CBN
announced its intervention in Oceanic Bank in August 2009, few could
have imagined the herculean task that lay before the John Aboh-led
management team. Saddled with the responsibility of leading a delicate
transition, whose outcome would determine the future of one of
Nigeria’s foremost financial services groups, the management recognized
that beyond the headline issues of shareholder equity erosion and
misuse of depositors’ funds, the bigger challenge that confronted
Oceanic Bank was to rebuild public trust in its identity and mission.

In effect,
Oceanic Bank’s management has had to juggle three balls all at once:
pressed on one side by the demands of supervising an inside-driven
forensic review of the bank’s actual health status, on another with
stabilising the institution, and on a third by providing a fair
assessment of strategic options for recapitalisation, it had to show
employees, business partners, customers and shareholders why the CBN’s
decision was the right one at the right time.

Gradually, in
several meetings with stakeholders, the management team won over its
audience with the message that Oceanic Bank had begun a new chapter.
Its consistent theme that the future is bright at Oceanic Bank
supported by a solid recovery in deposits growth by the end of 2009 and
its return to profitability has helped to put the harrowing near-death
experience behind it. But it could never have achieved such a rapid
turnaround without an emphasis on regaining the trust of its key
publics.

Attendees echoed
this sentiment at an interactive session organized by the bank in July
to sensitize shareholders on its turnaround progress and
recapitalization plans. Commending Oceanic Bank for hosting the event,
Bisi Bakare, national coordinator of the Pragmatic Shareholders’
Association of Nigeria, expressed her satisfaction with the board for
reaching out to shareholders to correct lingering misperceptions and
making sincere efforts to carry them along. On his part, Emmanuel
Ikwue, a retired Brigadier, chairman of the Coordinating Committee of
the Zonal Shareholders’ Association, shifted the dialogue from a
fixation on the sale of Oceanic Bank to how to secure the best future
for all stakeholders in the institution. He implored the bank’s
shareholders to be open-minded in the consideration of capital raising
alternatives presented by the board.

There is no doubt
that the restitution of ill-gotten assets will go a long way in Oceanic
Bank’s bid to recapitalize successfully. But adequate capital alone
does not guarantee the competitive strength and attraction of a
financial institution. Trust must be at the root. If there is one thing
that the bank has relentlessly laboured to do since that balmy
afternoon in August 2009 when Nigerian banking was changed forever, it
has been to regain it. Just as the theme of 2010 global brand campaign
by UBS, the Swiss bank, says ‘we will not rest’ until we meet our
customers’ expectations, the reformed Oceanic Bank may well have
solemnly sworn not lay down its oars until it has regained the full
trust of its stakeholders. Justice Abutu’s judgment has only given
added fillip to that purpose.

Sunday Badmus is a corporate finance consultant based in Lagos.

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SECTION 39: Whose conscience now?

SECTION 39: Whose conscience now?

In the middle of
the re-run of the Ekiti gubernatorial elections on the 28th of April
2009, Olusola Ayoka Adebayo wrote to then President Umaru Yar’Adua to
resign her appointment as Resident Electoral Commissioner for Ekiti
State in the following terms:

“… the on-going
election in Ekiti State was suppose [sic] to be the election that will
enhance the image of INEC, electoral process in our dear country
Nigeria and the whole black race. Unfortunately, the circumstances
changed in the middle of the process; therefore, my conscience as a
Christian cannot allow me to further participate in this process.”

We didn’t hear much
from Mrs Adebayo during the original April 2007 gubernatorial elections
in Ekiti State, but in that election, although Kayode Fayemi had the
plurality of the valid votes cast, she felt comfortable declaring that
the winner of the election was Segun Oni.

By the time the
re-run election ordered by the Court of Appeal came round however, the
big story was Mrs. Adebayo’s ‘Christian conscience’ as per the above
letter, and what it would or would not allow her to do.

Champions sprang up
for her everywhere. The Anglican church was trenchant in its defence of
the REC, while we women were also presumed to have something in common
with her that would make it impossible for us to stand idly by while a
‘fellow woman’ was hounded into unconscionable acts. If the Association
of Pensioners hadn’t been so busy fighting to show that their members
weren’t dead, they too might have come out to defend the septuagenarian
Adebayo.

But INEC Chairman
Maurice Iwu and the nation’s PDP masters were having none of conscience
or resignation. The Inspector-General of Police was asked to fish the
fugitive out, and after she had been gathered into the bosom of the
INEC ‘family’, she emerged to do what her Christian conscience now
apparently found acceptable – that is, to declare as winner of the
election the man, Mr Oni, who had not won it.

Now that the
fraudulent result of the re-run election has been set aside by the
Court of Appeal, many insist that there must be some retribution for
the forty months during which Mr Oni usurped Mr Fayemi’s rightful
position. Governor (at last!) Fayemi has suggested that there ought to
be an Electoral Offences Tribunal to deal with people who defraud the
voters by rigging elections and/or awarding them to those who did not
win.

Mr Fayemi certainly
has many other matters to deal with as he settles down to the business
of governing Ekiti, so he won’t be unduly or at all bothered if I
differ from him on a matter that is – for now – behind him. At any
rate, it seems to me that the problem of elections is not the absence
of an Electoral Offences Tribunal, but the absence of an Electoral
Offences Commission to get election riggers investigated and
prosecuted.

The venue of such
prosecution is secondary to the business of actually dragging the
wretches to court. The Electoral Reform Committee chaired by former
Chief Justice Muhammadu Uwais had recommended that just such a
Commission be established: “to work independently in the arraignment
and prosecution of electoral offenders. This will include offences
arising from failings of INEC before, during and after voting day.”

Explaining why an
ECC was necessary, in their joint publication on Electoral Reform: Ten
Critical Points of Order, the Nigerian Bar Association, Nigeria Labour
Congress and Transition Monitoring Group asked whether the electoral
body could truly police itself. They noted that the excuse given by
INEC’s then chair, Mr Iwu: that the Commission was waiting for election
tribunals to complete their work, was fraught with danger and bound to
affect impartial adjudication. An ECC would have removed the burden of
investigating and prosecuting electoral offenders from an INEC which
must clearly have its hands full with the conduct of the elections and
mundane matters such as getting election officers and materials to
polling stations on time, and accurately counting and declaring the
tally of valid votes cast.

Although the result
of an election petition may very well reveal some electoral offences,
it makes no sense to suggest that no offences can be discerned until
the winner of an election is known, and rather tends to support the
fear that the (election-victory) end justifies the (election-rigging)
means.

Do I need to note
that the National Assembly, in its wisdom, rejected this as it rejected
all the Uwais panel’s proposals for the unbundling of INEC?

As for Mrs Adebayo, she may or may not escape prosecution for
falsification of election results. Unfortunately it is not within
Attahiru Jega’s power to ‘sack’ Mrs Adebayo. For all his instructions
to RECs about what they should or should not do, she isn’t his
employee. RECs are appointed solely by the president, and need not even
go through any Senate confirmation to secure their jobs. So Mrs Adebayo
has the job for five years unless the two-thirds of the Senate accept a
presidential recommendation for her removal. Unless of course, her
Christian conscience again prompts her to do what she tried to do in
April last year. That is, to resign.

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Play Africa again, Salif Keita

Play Africa again, Salif Keita

South Africa is a
country of songs, and those who can belt out great tunes are adored by
millions. We saw a demonstration of this during the Divas Concert at
the Performing Arts Centre for the Free State (PACOFS) in Bloemfontein,
South Africa, on October 8.

PACOFS is a massive, luxuriously fitted and
well maintained art infrastructure that sparked off debate among
Nigerian journalists present about the dearth of similar venues in our
country. Within the complex, the Sand du Plessis Theatre was packed the
people of all ages, a large percentage of whom were in their 20s, the
kind of demographic that would only turn up for a gig in Nigeria if the
programme is chock-full of hip-hop acts. Yet, here were young people
going wild for real musicians, and singing along at the top of their
voices to old favourites like ‘Paradise Road’, ‘Leave Me Alone’ and
‘Too Late For Mama’. The privileging of songs was hardly surprising,
perhaps, for the nation that gave us Miriam Makeba, Yvonne Chaka Chaka
and Brenda Fassie.

A rising stars of
South African music, is the Afro-Soul singer, Lira. A headliner for the
Divas Concert, she also featured in the Main Jazz programme of the
annual Mangaung African Cultural Festival (MACUFE), held on October 9
inthe Loch Logan Rose Garden. Making our way to the open-air jazz
festival, the size and beauty of the venue, incorporating a scenic
lake, told their own story of the sheer scale of the musical jamboree.
A thick, queue of people waiting to get in, seemed never ending, and
recalled scenes of great British summer festivals like Glastonbury.
Concert-goers had brought their own coolers of food and drinks; many
also brought their own deck chairs to sit in the crowd space that
stretched on and on in from the stage. At Mr Price, a popular store
chain in South Africa, the fastest selling items are these chairs, as
they are in constant demand for the Braais that bring people in
Madiba’s country together over roasted meat and drinks. The chairs also
come in handy for festivals like MACUFE; and the coolers, we would
later discover, doubled as seats too.

Again, one
wondered: can a mammoth crowd of this size come out in Nigeria for
anything other than a Gospel concert? A stadium-sized audience was
already enjoying the performances as we looked around. There are a
number of hospitality packages that bring people across South Africa to
Bloemfontein for MACUFE. We had come on the Premier Classe train from
Johannesburg to Bloemfontein, which entitled us to VIP tickets to the
Main Jazz Festival. A short walk across a bridge over the lake, led
from the main festival grounds to the VIP Village, where, in the large,
air-conditioned Premier Classe tent, we could watch the performances on
a large screen. Over a continuous flow of food and drinks, we watched
Lira on the screen; and considered whether the lilac-toned separates
she wore were too casual for this high profile gig.

Jonathan Butler

MACUFE is a truly
international festival, and of particular interest this year was the
scheduled appearance of ‘Africa’s Golden Voice’, the great Malian
singer, Salif Keita. This edition also promised the return home of
South Africa’s son for whom America has been home for many decades,
Jonathan Butler. The beginning of his set got several of us to venture
out of the Village for the immediate festival experience side-stage,
alongside the crowds. Playing in the same set was American Jazz
saxophonist, Gerald Albright. Introducing one track, Albright said, “I
borrowed it from a friend who’s no longer with us but left a great
legacy of music. He travelled the world by one name, and it’s Luther.”
The crowd roared and many rose for ‘So Amazing’ – and sang Luther
Vandross’ lyrics to Albright’s instrumental rendition. Things got
better with the next track, ‘My My My’, originally sung by Johnny Gill.
“You know the words to it, let me hear you sing it” – encouraged the
jazzman, and the crowd obliged.

With a fine head of
short, grey hair, Jonathan Butler is a far cry from the youthful singer
with the flat-topped haircut who scored an international hit with
‘Lies’ over two decades ago. The guitar remains a constant feature, and
the gospel-infused soulfulness of his voice has lost none of its power.
“It’s good to be back home. So many memories here, this town,” he told
the audience. The following day, October 10, was Butler’s 49th
birthday, so he sang them a medley including ‘Take Good Care of Me’,
because – by his explanation – he wanted them to remember what old age
may cause him to forget. The singer-songwriter’s backing vocalist was
his daughter, Jody, who partnered him on a duet onstage, ‘Be Here With
You’.

“Jody Butler’s not
bad, wha’you think?” he asked the audience. The emotional high of the
concert thus far, came when Jody asked the MACUFE thousands to help
sing ‘Happy Birthday’ to her dad.

Tsepo Tshola

Expectations were
high for Salif Keita’s appearance, but there were memorable
performances meanwhile, including one by Ringo Madlingozi. After
another short dash for refreshments and discussions in the Village, and
we were back side-stage for a rousing performance by the much loved
Tsepo Tshola, a kind of ‘musical father of the nation’. A great moment
it was on ‘Ho Lokile’, when it seemed the whole country was singing in
unison with Tshola.

As an ecstatic
dancer nearby explained, the song’s title means ‘We Are Fine’. She also
gave some insight into the appeal of the man responsible for many
“beautiful, traditional” songs: “He is like the father of Soul in South
Africa. Every single South African knows who Tsepo Tshola is.” It is
also a public image shaped by suffering and human fallibility. “He used
to be a drug addict. While he was singing all these beautiful,
traditional songs, he was hooked on cocaine. Then he came out and said,
‘I’m hooked on cocaine. I’m going into rehab.” The admission further
endeared Tshola to South Africans, especially as it was seen as a show
of solidarity with Hugh Masekela and the late Brenda Fassie, who had
fought public battles with addiction.


Salif Keita

We relaxed in the
Village during other performances, while we awaited Salif Keita. When
as if by magic he appeared on the screens close to midnight, a whole
band of us headed across the bridge to be closer to the famed ‘soaring
voice’. But it was not to be. Crowd concerns had led security men to
shut the gates between the VIP Village and the concert. We could not
get through. On many screens around the Loch Logan Rose Garden, Salif
Keita played on. Like Moses and the promised land; so near and yet so
far. Downtrodden, we headed back to the Village, where in what seemed
like the town square, scores of fans gathered to watch the performance
on a giant screen. Keita wore a slim-fitting white shirt and trousers
with matching cap. His two backing vocalists, complete with elegant
headscarves, were the best presented back-up singers all day. The beat
over which Keita’s voice rang out, was a mellifluous blend in which
traditional Malian instruments, chief among them the Kora, stood out.

Many were soon
getting jiggy with it as the magic of Keita’s sound spread through the
gathering. How must it have been in the concert across the lake? One
could only wonder. It was poignant that, among a group of trendy young
women who danced energetically to Keita music nearby, was an albino,
like the musician himself. Keita’s latest album, ‘La Difference’ calls
for compassion on the plight of albinos, who are killed in many parts
of Africa for ritual purposes.

When the irresistible, ‘Africa’ from Keita’s 1995 album, ‘Folon’
came on, there were jubilatory scenes in the MACUFE village, as most
danced with abandon, singing to Africa. Not just concert attendees or
VIPs but waitresses and bouncers, danced and sang along. The track
ended, only for Salif Keita and band to strike it up again, perhaps at
the behest of the crowd across the lake. Cue even more joyous dancing.

The musician’s 45-minute set came to an end and he exited the stage
with his band. But they must have been calling for more and Keita,
astonishingly, came back out and sang ‘Africa’ for a third and last
time. The disappointment of earlier was nearly forgotten as we left the
venue. We could not see Salif Keita up close as we had wished, but a
memorable experience was had all the same.

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Obey and Sunny prepare for historic concert

Obey and Sunny prepare for historic concert

Juju music icons,
Ebenezer Obey and King Sunny Ade (KSA), have disclosed that they are
game for the forthcoming ‘One Nite Stand’ featuring them with the same
band on a stage for the first time ever. The show, scheduled for the
New Eko Expo Hall, Eko Hotels, Victoria Island, Lagos from 4pm on
Sunday, November 7 is being packaged by GrandFaaji Concepts Limited.

Obey and Sunny
spoke about the concert at a press conference held at Airport Hotel,
Ikeja, on Tuesday, October 19. Welcoming reporters to the event, chief
executive of GrandFaaji Concepts Limited, Azuka Jebose Molokwu, said
the Juju legends were there “to imprint on our minds the essence of
this concert.”

The show, he
added, “is unlike any other in the history of Nigerian music. Many may
have thought that the so-called rivalry that existed between the two
musicians would never have made this possible. But, as it is evident
here: these are two brothers and friends. And, they are gearing up to
show what two will do, when they are agreed.” The former entertainment
journalist now based in the US noted that “It is also going to be an
evening of soul-gratifying melodies.”

President,
Performing Musicians Association of Nigeria (PMAN), Dele Abiodun,
thanked organisers of the concert for coming up with the idea. Abiodun,
who recalled the duo’s efforts to popularise Juju music, reiterated
that nobody would have believed the two role models would ever perform
together. “Thank you sirs, we are very proud of you and will continue
to be proud of you,” he ended.

We are brothers

Obey expressed
happiness at the opportunity to talk about the show. Baba Commander, as
some of his fans call him, said Abiodun and others saw him and KSA as
role models because God made it so. “What happened is not coincidental;
God brought us together to come into the music scene. We both prayed to
be successful musicians and God answered,” Obey said of their musical
beginnings. The duo, he added, have their strengths but “God brought us
to release messages to the world, to calm people. Both of us were there
and became a source of encouragement to each other.” Continuing on
their early years, Obey said it was a rarity in the history of Nigerian
music for two icons to reign together but that they did until he became
a minister of God nearly 20 years ago.

But he almost
backed out of the show. Though he had agreed with the organisers and
even concurred on KSA’s behalf, elders of his church saw the concert in
a different light. They thought people would perceive it as rekindling
the perceived rivalry between them. Obey said Molokwu explained the
whole concept again but he wasn’t ready to go against the wishes of the
elders. Molokwu eventually contacted Obey’s son, Folarin, who persuaded
the elders.

Obey said the
concert which is keyed into the 50th Independence anniversary, couldn’t
have come at a better time because God has helped them to contribute
their quota to the nation. Though he confessed he wouldn’t have ever
imagined the two of them on the stage, he noted that “With God all
things are possible. We are not enemies as people are thinking. We are
brothers.”

Who is fooling who?

Also dispelling
notions of a rivalry, KSA said even at the height of the so-called
enmity, he used to visit Obey in his house for discussions. “We have
cause to thank God because we are blessed. I am lucky to have him as a
brother who understood, understands and continues to understand,” KSA
said before narrating an incident involving the late celebrity
journalist, Olabisi Ajala.

He disclosed that
Ajala happened on him and Obey in his house and demanded that they open
the door. They had agreed to do so when Ajala’s next comment stopped
them. Ajala said, “You guys are sitting together and we are fighting
for you. You better open the door now or you will find your story in
the Evening Times today.” The journalist was true to his word as he
wrote a story titled ‘Who is fooling who?’ that same evening. Ajala, he
disclosed, always knew whenever Obey came to his house and was always
lying in wait for them.

KSA reiterated
that there was never any rivalry between them even when people assumed
so. He recalled why they had to change the day of their gigs when they
both had their joints on Olonade Street, Yaba, Lagos. KSA said there
was no problem when they started playing on Wednesdays until they
started having crowd trouble at their respective joints. He disclosed
that they amicably resolved the problem by tossing a coin with Obey
settling for Thursdays, even though his fans didn’t like it. That was
not the only measure they devised to manage their feuding fans; KSA
said they both agreed and instructed their managers not to book them
for the same event.

“Both of us are
working together to make this project what you think it will be.
Nigeria is 50 and this is the first time ever that the two of us are
meeting on the stage. We intentionally agreed not to meet together on
the stage but I want to assure you, we are going to have a good show, a
remarkable show. It will be even difficult for you to allow anybody
stand in front of you while you are watching the stage,” KSA promised.

Rare privilege

Veteran producer,
Laolu Akins, who is also involved the show, highlighted its uniqueness.
He said though it has never been attempted before, the organisers will
do “everything possible to ensure people have a wonderful time.” Apart
from Akins, the renowned Eddie Lawani is involved as the stage manager
while US-based broadcaster, Olusesan Ekisola, will anchor the show. All
female singing group, Nefeetiti and singer, Stella Monye, will also
perform as part of the bill. “It is a rare privilege to be playing with
these two giants. The opportunity just fell on my laps and I will be
the help to these two giants,” Monye said at the briefing.

Commenting on the
show, photographer and NEXT columnist, Tam Fiofori described Obey and
KSA as role models and trail blazers. He disclosed that Obey bought
beetle cars for all his band members and succeeded in raising their
social status at a time musicians were disparaged, while KSA was
equally benevolent and innovative.

Tickets for the
show which comes at N10, 000, N25, 000 and N100, 000 are already on
sale at various points across Lagos, emcee, Taiwo Obe, informed the
gathering.

Responding to
whether they will produce an album together after the show, KSA said it
is under consideration but that they will discuss further with the
organisers in that regard.

Asked to disclose the strengths of each other, Obey described KSA as
a master guitarist and excellent showman; KSA said it is Obey’s
melodious voice and perseverance on stage. The duo gave an insight to
what to expect at the concert when they sang ‘Ara mi e se pelepele’ by
Obey and KSA’s ‘Aimasiko’. “E fi yen le (leave that), e don dey sweet
una. Wait for the concert,” KSA said as photographers jostled to
capture the scene and reporters sang along.

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D’Banj reigns supreme at Felabration

D’Banj reigns supreme at Felabration

After a packed week
of events including debates, lectures, book readings and gigs featuring
a wide range of musicians who identify with the Fela Anikulapo-Kuti
legacy, this year’s Felabration came to a close with a bang at the New
Afrika Shrine in Ikeja, Lagos, on Sunday, October 17.

There were
unbelievable scenes outside the New Afrika Shrine on the night, with
hundreds of people milling about on the street, hoping to get in or
just soaking up the atmosphere. And what an atmosphere it was. It was
night time, yet a bustling ‘market’ was in place, with rows of traders
selling liquor in small bottles and sachets. Food and stick-meat were
also on sale. Hardly surprising, for the grand finale of the
celebration of a man known for his use of marijuana, it was an
igbo-drenched night, as music boomed out from the Shrine.

Cars had to
negotiate a tight passage through the largely male crowd and the
‘market’ that had claimed most of the road. Those seeking to enter, had
formed a long queue. Security was tight, and crowd control measures and
stoppers that allow entrance only one-at-a-time, prevented any kind of
stampede. “From one chicken point to another,” remarked one punter, as
we waited to clear the final hurdle into the inner compound that
surrounds the concert ‘main bowl’ that is the Shrine.

The last tribute

Inside, the venue
was an impressive, well fitted one, and it seemed a shame that more
concerts do not currently hold there. At the height of the Felabration
finale, the Shrine’s ‘The Last Tribute’, commemorative images streamed
on large screens above the stage on both sides, paid homage to Fela,
showing photographs from his life, including shots of his mother,
Funmilayo Ransome-Kuti. Alternating with Fela were images of Dagrin,
whose untimely death from a motor accident earlier this year served to
take his fame through the stratosphere. Like Fela, Dagrin is bigger in
death. The tribute was also a well judged emotive factor with many in
the crowd, the generation that adores Dagrin.

Comedian Omobaba
pepped up the audience with jokes while introducing new acts onto the
stage. The batik-clad Gangbe Brass Band came on with an array of
instruments, including a stand-out tuba, borne by its player. “My
English is not so good,” said the jovial bandleader, who nonetheless
found another common ground with many in the audience, greeting them in
Yoruba, which is also spoken in Benin. The group played several numbers
in Yoruba and French, before bringing out a real crowd-pleaser, Fela’s
son, Femi Kuti. He had been on the bill, but no one expected him to
take the stage so early in the programme. Clad in a Fela T-shirt under
unbuttoned orange batik shirt and matching trousers, Femi launched into
a blistering performance on his saxophone, bringing the audience to its
feet. He wore neon-yellow plastic ‘clown’ glass-less eye-wear,
underscoring the ‘fun’ factor of Felabration (his sister, Yeni, would
later be seen in the crowd with similar ‘glasses’ in orange).

Femi carried on
blaring the sax for several minutes and the crowd whooped in
excitement. Stage smoke billowed onto the stage and photographers
crouched to the left and right of Femi to catch the best shots, adding
to the spectacle. That Femi came on so early, confirmed the agreement
of all that the headliner of the night was a man that would not make an
appearance for a while: D’Banj.

After Femi and the
Gangbe Brass Band came a succession of multi-genre acts. Mallam Spicy,
his stage show accompanied by two female dancers who jiggled
frenetically to the Dancehall star’s ‘Free Cure’. Solid Star, sporting
a Mohawk, followed close behind. Then came Tunde and Wunmi Obe, better
known as TWO, who performed an exuberant set with their band. Dressed
in white and black, the clean-cut duo got great reactions from the
crowd as they rendered ‘old school’ hits before performing their own
material, including ‘Fine Bara’ and ‘Mo Gbo, Mo Ya’. A juju band began
and ended their set by singing humorous lines from Saint Janet’s
notorious album, ‘Olope Plus’. In-between, the band played Yoruba dance
music in praise of the Egbas, the Yoruba sub-group of the
Ransome-Kutis.

Mo’Hits Crew

It was a well
behaved crowd, and there was evidence of swift action by staff to eject
troublemakers. Anticipation reached fever pitch with Omobaba’s
announcement of Wande Coal, Don Jazzy and D’Banj onto the stage. D’Banj
didn’t show, but a number of Mo’Hits Crew stars stormed the stage,
including D’Prince (‘Who am I?’ he asked, and the crowd chorused: ‘Omo
Oba’). The set was mostly dominated by Coal who performed his highly
popular hits.

The audience was
going to have to wait a bit longer for D’Banj, but no one seemed to
mind. All the high energy of Wande Coal and others slowly dawned as
mime acts to the detached observer – no instruments played, no backing
band. Was this to be the extent of musicianship on displayed at the
climax of this show? Surely D’Banj would have to do more than this? It
was not long to wonder, for just as the Mo’Hits bravura started to grow
a bit thin, the real deal came.

Superstar

To behold the
spectacle of D’Banj’s arrival onstage, was quite something. Watching
from the raised VIP balcony, the eyes swept over the two thousand
strong audience as D’Banj emerged, clad in white, his tight trousers
reminiscent of the style favoured by Fela. There were unbelievable
scenes as, with Fela’s signature two-fisted Black Power salute, the
singer soaked up the adulation of his fans, as heraldic music wailed a
crescendo. This was the most important performer of the final night of
Felabration, the star attraction, and everyone knew it.

Much earlier in the
evening, posters of D’Banj had been distributed free through the crowd.
Then, minutes before his arrival onstage, he signalled a departure from
his Mo’Hits contemporaries’ performance mode, as his band took up
positions behind musical instruments onstage. After several minutes of
star-worship, D’Banj playfully lifted his ubiquitous shades to take a
playful peek at his adoring fans. Then the band struck up the beat, to
which he sang live.

To watch him was to
observe a star at the height of his powers. With D’Banj’s incredible
stage presence, there were echoes of Elvis Presley at the crest of his
fame. When someone brought D’Banj a face towel – white to match the
outfit, of course – one thought a James Brown cape-drama was in the
offing. D’Banj just needed to wipe the sweat off his face now and then,
and the towel also became part of the showmanship, flicked from time to
time as traditional dancers do with their handkerchiefs. He didn’t have
to do much; wowing the crowd effortlessly. There were no sexy dancers,
no gimmicks; and Wande Coal deferred to a bigger star, singing backing
vocals for D’Banj. There were Fela touches here and there in the
movement, as D’Banj sang his own hits and played the crowd, who lapped
up everything he said or did. “I said it before; I’ll say it again,” he
half-sang, about God-knows-what. He can say it anytime he wants: a star
is born.

There was some talk recently about D’Banj possibly playing Fela in
the hit Broadway musical, and it seemed he came onstage determined to
settle the argument. Anyone resistant to the idea of D’Banj as Fela,
would have had a rethink, seeing his reign at the Shrine. By now it was
1.30am – thousands were inside, many more outside. We decided to leave
in the middle of D’Banj’s set, regrettably, to avoid the crush of the
crowd at the end. As we exited the New Afrika Shrine, D’Banj said over
the loudspeakers, “We all know why we’re here.” Then from the street,
we heard as he launched into Fela’s songs proper, a fitting conclusion
to the evening.

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Lagos Jazz Series: Three days in November

Lagos Jazz Series: Three days in November

The inaugural Lagos
Jazz Series, an extravaganza created to bolster the prospects of the
music genre in the city, kicks off next month. Organisers say the event
is an opportunity for jazz connoisseurs and buffs alike to enjoy first
rate concerts by international performers without having to leave
Nigeria. It is billed as the ultimate lifestyle event right in the
heart of Lagos, where previously Jazz enthusiasts had to travel to New
York, Paris, London and Cape Town to see live performances.

Events in the
series will be held at choice Lagos locations. “Jazz enthusiasts will
have the opportunity of listening to the best of Jazz music in the
garden, on the creek and on the waterfront,” says a press release by
the organisers. LJS begins in the Japanese Garden of the Sofitel
Morehouse Hotel, Ikoyi, on November 5. Other venues are The Federal
Palace Hotel waterfront and the Muri Okunola Park, which is fast
becoming an open-air arts venue in Lagos.

Major Jazz artists
from Europe, America and the African continent will take centre stage
during the first LJS. Among these are: Randy Weston, Karen Petterson,
Simone (daughter of Nina Simone); Nneka, Morrie Lode, Mike Aremu, Bez,
Aiyetoro and Femi Kuti. More performers are expected to be added to the
playbill.

The event’s
founder, Oti Bazunu, said, “The Lagos Jazz series is a singular
experience. We’re inviting some of our favourite Jazz musicians from
all over the world to come and play for us, in intimate and exciting
venues. Since they’re coming, we might as well put on a bit of a show
and invite all our favourite people to attend… The show is coming
together and it’s going to be wonderful.”

Bazunu acknowledged the support of the Lagos State government (which
sanctioned the use of Muri Okunola Park), Lufthansa Airlines, Sofitel
Morehouse and other groups in ensuring the success of the events.

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